English literature -- History and criticism; Religious poetry, English -- History and criticism
Ah! what time wilt thou come? When shall that cry,
_The Bridegroom's coming_, fill the sky?
Shall it in the evening run
When our words and works are done?
Or will thy all-surprising light
Break at midnight,
When either sleep or some dark pleasure
Possesseth mad man without measure?
Or shail these early, fragrant hours
Unlock thy bowers,[151]
And with their blush of light descry
Thy locks crowned with eternity?
Indeed, it is the only time
That with thy glory doth best chime:
All now are stirring; every field
Full hymns doth yield;
The whole creation shakes off night,
And for thy shadow looks the light;[152]
Stars now vanish without number;
Sleepy planets set and slumber;
The pursy clouds disband and scatter;--
All expect some sudden matter;
Not one beam triumphs, but, from far,
That morning-star.
O, at what time soever thou,
Unknown to us, the heavens wilt bow,
And, with thy angels in the van,
Descend to judge poor careless man,
Grant I may not like puddle lie
In a corrupt security,
Where, if a traveller water crave,
He finds it dead, and in a grave;
But as this restless, vocal spring
All day and night doth run and sing,
And though here born, yet is acquainted
Elsewhere, and, flowing, keeps untainted,
So let me all my busy age
In thy free services engage;
And though, while here, of force,[153] I must
Have commerce sometimes with poor dust,[154]
And in my flesh, though vile and low,
As this doth in her channel, flow,
Yet let my course, my aim, my love,
And chief acquaintance be above.
So when that day and hour shall come,
In which thyself will be the sun,
Thou'lt find me drest and on my way,
Watching the break of thy great day.
I do not think that description of the dawn has ever been surpassed. The
verse "All expect some sudden matter," is wondrously fine. The water
"dead and in a grave," because stagnant, is a true fancy; and the
"acquainted elsewhere" of the running stream, is a masterly phrase. I
need not point out the symbolism of the poem.
Public-domain text, read in full here on John Shaqi.
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