English literature -- History and criticism; Religious poetry, English -- History and criticism
When my devotions could not pierce
Thy silent ears,
Then was my heart broken as was my verse;
My breast was full of fears
And disorder.
O that thou shouldst give dust a tongue
To cry to thee,
And then not hear it crying! All day long
My heart was in my knee:
But no hearing!
Therefore my soul lay out of sight,
Untuned, unstrung;
My feeble spirit, unable to look right,
Like a nipt blossom, hung
Discontented.
O cheer and tune my heartless breast--
Defer no time;
That so thy favours granting my request,
They and my mind may chime,
And mend my rhyme.
It had been hardly worth the space to point out these, were not the
matter itself precious.
Before making further remark on George Herbert, let me present one of his
poems in which the oddity of the visual fancy is only equalled by the
beauty of the result.
THE PULLEY.
When God at first made man,
Having a glass of blessing standing by,
"Let us," said he, "pour on him all we can:
Let the world's riches, which disperséd lie,
Contract into a span."
So strength first made a way;
Then beauty flowed; then wisdom, honour, pleasure.
When almost all was out, God made a stay,
Perceiving that, alone of all his treasure,
_Rest_ in the bottom lay.
"For if I should," said he,
"Bestow this jewel also on my creature,
He would adore my gifts instead of me,
And rest in nature, not the God of nature:
So both should losers be.
"Yet let him keep the rest--
But keep them with repining restlessness:
Let him be rich and weary, that, at least,
If goodness lead him not, yet weariness
May toss him to my breast."
Is it not the story of the world written with the point of a diamond?
Public-domain text, read in full here on John Shaqi.
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