Such a threat implied a far more serious danger in the south than in the north. The Aquitanian border was guarded by no such chain of strongly-fortified, stoutly-manned ducal castles as girt in the Norman duchy from Gisors to Tillières; and Henry’s hold over his wife’s dominions was very different from his grasp of the heritage of his mother. Twenty years of Angevin rule, which for political purposes had well-nigh bridged over the channel that parted England from Gaul, seem to have done nothing towards bridging over the gulf that parted Aquitaine from France and Anjou. If our Angevin king sometimes looks like a stranger amongst us, he was never anything but a stranger among the fellow-countrymen of his wife. Nowhere throughout his whole dominions was a spirit of revolt and insubordination so rife as among the nobles of Poitou and its dependencies; but it was a spirit utterly unlike the feudal pride of the Norman baronage. The endless strife of the Aquitanian nobles with their foreign duke and with each other sprang less from political motives than from a love of strife for its own sake; and their love of strife was only one phase of the passion for adventure and excitement which ran through every fibre of their nature and coloured every aspect of their social life. The men of the south lived in a world where the most delicate poetry and the fiercest savagery, the wildest moral and political disorder, and the most refined intellectual culture, mingled together in a confusion as picturesque as it was dangerous. The southern warrior was but half a knight if the sword was his only weapon--if he could not sing his battles as well as fight them. From raid and foray and siege he passed to the “Court of Love,” where the fairest and noblest women of the land, from the duchess herself downwards, presided over contests of subtle wit, skilful rime and melodious song, conducted under rules as stringent and with earnestness as deep as if life and death were at stake upon the issue; and in truth they sometimes were at stake, for song, love and war all mingled together in the troubadour’s life in an inextricable coil which the less subtle intellects of the north would have been powerless to unravel or comprehend. The _sirvente_ or poetical satire with which he stung his enemies into fury or roused the slumbering valour of his friends often wrought more deadly mischief than sharp steel or blazing firebrand. The nature of the men of the south was like that of their country: it was made up of the most opposite characteristics--of the lightest fancies, the stormiest passions, the most versatile capabilities of body and mind, the most indolent love of ease and pleasure, the most restless and daring valour, the highest intellectual refinement and the lowest moral degradation. It was a nature which revolted instinctively from constraint in any direction,--whose impetuosity burst all control of law and order imposed from without upon its restless love of action and