England under the Angevin Kings, Volumes I and IINorgate, Kate
History
England under the Angevin Kings, Volumes I and II
Norgate, Kate
Anjou, House of; England -- Civilization -- 1066-1485; Great Britain -- History -- Angevin period, 1154-1216
There was one cathedral monastery in the west of England where
the traditions of a larger historical sentiment had never died
out. The scriptorium at Worcester had been for more than a century
the depository of the sole contemporary edition of the English
Chronicle;[200] and there alone the national history continued to be
recorded in the national tongue down to the early years of Henry I.
In the middle of his reign the monks of Peterborough, probably in
consequence of the loss of their own records in a fire which destroyed
their abbey in 1116, borrowed a copy of the Chronicle from Worcester,
and wrote it out afresh for their own use, with additions from local
history and other sources. It is only in their version that the
earliest Chronicle of Worcester has been preserved to us. But they
did more than transcribe the story of the past. When the copyist had
brought his work down to the latest event of his own day--the sinking
of the _White Ship_ in 1120--another scribe carried on the annals of
Peterborough and of England for ten more years, in the native speech of
the land; and when he laid down his pen it was taken up by yet another
English writer whose notices of contemporary history, irregular and
fragmentary though they are, still cast a gleam of light across the
darkness of the “nineteen winters” which lie between the death of the
first King Henry and the coming of the second.[201]
[200] In strictness, we must except the years 1043–1066, when
the Abingdon Chronicle is also contemporary.
[201] On the school of Worcester and its later influence,
and the relations between the Chronicles of Worcester and
Peterborough, see Green, _Conquest of England_, pp. 341,
342 and notes, and p. 370, note 2; and Earle, _Parallel
Chronicles_, Introd.
Public-domain text, read in full here on John Shaqi.
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