English Caricature and Satire on Napoleon I. Volume 1 (of 2)Ashton, John
History
English Caricature and Satire on Napoleon I. Volume 1 (of 2)
Ashton, John
Napoleon I, Emperor of the French, 1769-1821 -- Caricatures and cartoons
Of course, the caricatures were, necessarily, prepared a day or two
before their publication, so the dates do not depend upon the events
which took place. Such an one is ‘Armed Heroes,’ Gillray, May 18,
1803, which is amusing. It is Addington who is bestriding the Roast
Beef of Old England. Lord Hawkesbury sits behind him; whilst the
two other figures respectively represent Hely Addington and Bragge
Bathurst, who were members of the Addington family, and had been
provided with good places by their powerful relative.
Napoleon looks with hungry eyes on the beef, and exclaims:--
Ah, ha! sacrè dieu! vat do I see yonder?
Dat look so invitingly Red and de Vite?
Oh by Gar! I see ’tis de Roast Beef of Londres
Vich I vill chop up, at von letel bite!
[Illustration: ARMED HEROES.]
Addington is in a curious state of mind, between bluster and fear,
calling out, ‘Who’s afraid? damme?--_O Lord, O Lord,--what a Fiery
Fellow he is!_--Who’s afraid? damme?--_O dear! what will become of y^e
Roast Beef?_ Damme! who’s afraid?--_O dear!--O dear!_’
The medicine bottles peeping out of his pockets are a delicate allusion
to Addington’s parentage, his father having been a physician.
The caricatures which follow are simply dated May; but, from their
internal evidence, they precede the declaration of war. Bonaparte
is represented as being excessively frightened at the prospect of a
rupture with England, and, in May 1803, an etching (artist unknown)
was produced, shewing ‘A Little Man Alarmed at his own Shadow.’ He is
cowering, and trembling, and looking back at his lengthened shadow on a
wall, saying ‘Mercy on us--what tall figure is that. It surely can’t be
Johnny Bull? No, no, that cannot be, it is not lusty enough for him.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account