_Underneath a_ GIBBET _over a_ DUNGHILL _at_ ELBA. Underneath this Dunghill Is all that remains of a mighty Conqueror NAPOLEON BUONAPARTE,[42]. Who, with inflexible Cruelty of Heart, And unexampled Depravity of Mind, Was permitted to scourge the Earth, for a Time, With all the Horrors of War. Too ignorant and incapable to do good to Mankind The whole force of his mind was employed In oppressing the weak, and plundering the industrious. He was equally detested by all: His enemies he butchered in cold blood: And, fearing to leave incomplete the Catalogue of his Crimes, His friends he rewarded with a poisoned Chalice. He was an Epitome Of all that was vicious in the worst of Tyrants; He possess’d their Cruelty, without their Talents; Their Madness without their Genius; The Baseness of one, and the Imbecility of another. Providence at last, Wearied out with his Crimes, Returned him to the Dunghill from which he sprung, BRITON! Ere you pass by, Kneel and thank thy God, For all the Blessings of thy glorious Constitution; Then return into the peaceful Bosom of thy Family, and continue In the practice of those Virtues By which thy Ancestors Have obtained the Favor of the Almighty. [Illustration: BROKEN GINGERBREAD.] _Tiddy doll_, the gingerbread manufacturer, is once more introduced into caricature (April 21, 1814): ‘Broken Gingerbread (_G. H. inv^t--G. Cruikshank fec^t_). Napoleon is at Elba, in an extremely dilapidated condition; a wretched thatched hut has on it a board painted, ‘Tiddy Doll, Gingerbread baker. N.B.--Removed from Paris.’ On his head he carries a tray of broken gingerbread, and calls out, ‘Buy my Images! Here’s my nice little gingerbread Emperors and Kings, retail and for exportation.’ In the background can be seen the coast of France, on which the people are rejoicing and dancing round a flag, ‘Vivent les Bourbons!’ ‘The Hellbaronian/Elbaronian Emperor going to take possession of his new Territory’ (April 23, 1814), by G. H., engraved by G. Cruikshank. Here Napoleon, ragged and heavily fettered, is in an iron cage, which is drawn by a mounted Cossack. Others surround and guard him, and we can well understand the captive’s ejaculatory ‘Oh--d--n these Cossacks.’ [Illustration]