English Caricature and Satire on Napoleon I. Volume 2 (of 2)Ashton, John
History
English Caricature and Satire on Napoleon I. Volume 2 (of 2)
Ashton, John
Napoleon I, Emperor of the French, 1769-1821 -- Caricatures and cartoons
‘On December 15, 1809, the Imperial Council of State was convened, and,
for the first time, officially informed of the intended separation.
On the morrow, the whole of the family assembled in the grand salon
at the Tuileries. All were in Court costume. Napoleon’s was the only
countenance which betrayed emotion, but ill concealed by the drooping
plumes of his hat of ceremony. He stood motionless as a statue, his
arms crossed upon his breast: the members of his family were seated
around, showing in their expression less of sympathy with so painful
a scene, than of satisfaction, that one was to be removed, who had so
long held influence, gently exerted as it had been, over their brother.
In the centre of the apartment was placed an armchair, and, before
it, a small table with a writing apparatus of gold. All eyes were
directed to that spot, when a door opened, and Josephine, pale but calm
appeared, leaning on the arm of her daughter, whose fast falling tears
shewed that she had not attained the resignation of her mother. Both
were dressed in the simplest manner. Josephine’s dress of white muslin
exhibited not a single ornament. She moved slowly, and with wonted
grace, to the seat provided for her, and there listened to the reading
of the act of separation. Behind her chair stood Hortense, whose sobs
were audible, and a little farther on, towards Napoleon, Eugène,
trembling as if incapable of supporting himself. Josephine heard in
composure the words that placed an eternal barrier between her and
greatness, between her and the object of her affection. This painful
duty over, the Empress appeared to acquire a degree of resolution from
the very effort to resign with dignity the realities of title for ever.
Pressing, for an instant, the handkerchief to her eyes, she rose, and,
with a voice which, but for a slight tremor, might have been called
firm, pronounced the oath of acceptance; then, sitting down, she took
the pen from the hand of the Comte Regnault St. Jean d’Angely, and
signed it. The mother and daughter now left the salon, followed by
Eugène, who appeared to suffer most severely of the three.
Public-domain text, read in full here on John Shaqi.
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