English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
A very curious personage makes his appearance in Robert's sketches of
this year, who would seem at first sight to be the most outrageously
caricatured of any of his subjects, and yet this in truth is not the
case. This person was the celebrated Claude Ambroise Seurat, "the living
skeleton," who was exhibited at the Chinese saloon in Pall Mall, and
whose portrait from three different points of view was taken by Robert
Cruikshank, and afterwards appeared in the first volume of Hone's
"Every-day Book," where a full account of this very singular personage
will be found. The repulsive object, who (with the exception of his
face) presented all the appearance of an attenuated skeleton, was
exhibited in a state of complete nudity with the exception of a fringe
of silk about his middle, from which (out of two holes cut for the
purpose) protruded his dreadful hip bones. Seurat, as might have been
expected, forms the subject of numerous contemporary caricatures; and in
one of these, by way of comical contrast, the worthy but corpulent
alderman, Sir William Curtis, distinguished by a similar scantiness of
attire, figures with the living skeleton in a lively _pas de deux_.
William Heath, in another of contemporary date, represents the fat
alderman standing on a map of England, and Seurat on a map of France.
Says Sir William: "I say, friend, did you ever eat turtle soup?" to
which Claude Ambroise replies, "No, sare; but I did eat de soupe
maigre." In another (also I think by the same artist), labelled,
_Foreign Rivals for British Patronage_, the living skeleton and a
favourite male Italian singer of the time are represented in the act of
preparing for mortal combat.[54]
A number of the caricatures of 1825 (and among them many by Robert) are
singularly illustrative of the morals of the time. About this year had
been published a work professing to contain the memoirs of an apt
disciple of Mrs. Mary Anne Clarke, which was made the vehicle of
extorting money. The _modus operandi_ appears to have been as follows.
In the month of March, 1825, a well-known M.P. of that day received a
letter from this creature in the following terms:--
"NO. 111, RUE DU FAUBOURG ST. HONORE,
A PARIS.
Public-domain text, read in full here on John Shaqi.
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