English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
And yet it scarcely merits this fate. It contains thirty-six etchings by
Robert Cruikshank, some of them of singular merit. Among them may be
mentioned, _The Duchess of Dogood_; _Splendid Jim_; _Logic Visiting his
Old Acquaintance on Board the Fleet_; _Corinthian Kate in the Last Stage
of Consumption, Disease, and Inebriety_; and if not the production of a
genius, the hand of an artist of singular merit, ability, and power is
manifest in the etchings entitled, _The Hounds at a Standstill_;
_Logic's Upper Storey_; and _The End of Corinthian Kate_.
PIERCE EGAN.
Although modestly claiming for himself the merits of this book, Pierce
Egan stands in relation to it in the position of a showman, and nothing
more. He is not even entitled to the credit of being the
originator,--for the originator and suggestor was Robert Cruikshank, who
informs us of the fact (after his own characteristic fashion) by way of
footnote to his frontispiece to the "Finish."[60] But Egan is
undoubtedly a clever showman; if he displays rather more vulgarity than
we altogether like, we must not forget the audience to whom he addresses
himself, and for whom indeed his show is specially intended. We cannot
admit that the popularity of this book was _entirely_ due to the merit
of the artists whose canvas he elucidates and (after his own fashion)
explains. In common fairness some credit should be conceeded to Egan
himself. Of literary talents he had not a particle; and if he lacked
taste and refinement, it may at least be urged in his behalf that the
age was not one of refinement, and that sixty years ago we had scarcely
emancipated ourselves from the barbarism and vulgarity some remnants of
which had descended to us from the time of George the Second. The bent
of his taste and the scope of his abilities may be guessed from the fact
that his "account of the trial of John Thurtell, the murderer," passed
into at least _thirteen_ editions. A man of this stamp could scarcely be
expected to recognise the true value of the work with which he had the
honour to be associated; he never looked beyond his patrons of the day,
and as a natural consequence posterity has troubled itself little about
him. You will search the biographical dictionaries in vain for any
account of him;[61] and this oblivion he scarcely deserves, for not only
was he one of the most popular men of sixty years ago, but he would
scarcely have attained that position without a fair share of merit. He
was not deficient in energy, and his talent is shown by the fact that he
understood and (in a measure) led the taste of his day, taking advantage
of his knowledge to raise himself to a position unattainable had such
taste been of a more elevated and refined character. His descriptive
powers (such as they were) were sufficient to procure him the post of
recorder of the "Doings of the Ring" on the staff of the _Weekly
Dispatch_, which post he occupied at the time he officiated as literary
Public-domain text, read in full here on John Shaqi.
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