Three other books (two of them exceedingly rare) must suffice to complete our survey of Robert's merits as a designer and book illustrator. These are "Colburn's Kalendar of Amusements" (1840), "Job Crithannah's Original Fables" (1834), and Eugene Sue's "Orphan." There is an Irishman sitting on a barrel in one of the woodcuts to the "Kalendar," who quite equals any of the Hibernians of George. The eighty-four designs to the "Fables" are admirable specimens of the artist's best manner, and George himself rarely executed better illustrations than those of the _Farmer and the Pointer_, at page 110, _The Cow and the Farmer_, at page 163, and _The Old Woman and her Cat_, at page 219. This rare and choice book abounds with admirable tailpieces; one of which exhibits a sufferer down in the agonies of gout, the treatment of which subject may even be compared with the more elaborate and admirable design by the brother described by Thackeray. Sue's "Orphan" has numerous carefully executed etchings by the artist, after the style and manner of his brother; in the very signature, "Robert Cruikshank," we trace a distinct copy of George's peculiar trademark or sign-manual. Mr. Walter Hamilton, in his essay on the brother, presents us with a dozen copies of Robert's designs, eight of which, although unacknowledged, are taken from Crithannah's "Fables," and will bear as much comparison with the original and beautiful woodcuts as the work of a common sign-painter with a finished painting by Landseer. A detailed but probably imperfect list of the artist's book work will be found in the _appendix_.