_Little Boney gone to Pot_ (Thomas Tegg, May 12th, 1814), is one of the artist's contributions to the series of caricatures which followed the fall of Napoleon Bonaparte. Here the satirist has seated the emperor (a lean, ragged, forlorn, miserable, diseased object) on a huge article of bedroom furniture, labelled, "Imperial Throne." He is in a forlorn condition, suffering from itch, with large excrescences growing on his toes. He is all alone in his island prison (Elba), and tempted by a fiend, who tenders him a pistol--"If you have one spark of courage left," it says, "take this." "Perhaps I may," replies Napoleon, "if you'll take the flint out." By his side we find a pot of brimstone, numerous medicine bottles, and "a treatise on the itch, by Dr. Scratch."[70] One of the imperial boots, mounted on a tiny carriage, forms a dummy cannon. His back leans against a tree, to which is nailed the "Imperial Crow," while from the branches depends a ragged pair of breeches and stockings. It was a sorry libel on the unfortunate emperor, whose courage was undoubted, and who, at this time, instead of being the scarecrow the artist has represented him, had grown extremely corpulent. _Snuffing out Boney_ follows up the same subject, and represents a cossack snuffing out Napoleon, who figures as a candle; another caricature on the great subject of the year bears the title of _Broken Gingerbread_ (Napoleon selling images). [Illustration: GEORGE CRUIKSHANK. _Published July 11th, 1814, by_ S. W. FORES, _Piccadilly_. RUSSIAN CONDESCENSION, OR THE BLESSINGS OF UNIVERSAL PEACE. _Face page 133._] VISIT OF THE ALLIED SOVEREIGNS.