English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
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English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
"Greenwich Hospital" gives us one of the very best drawings which
Cruikshank ever designed. The scene of the _Point of Honour_ is laid on
board the _Triumph_, at Spithead, at the time of the famous mutiny. A
detachment of marines with shouldered arms are drawn up on the quarter
deck, their drummer is beating to quarters, while all hands are
assembled to witness a degrading and demoralizing spectacle,--a sailor,
with his shoulders bare and his hands tied to the triangles, about to
receive punishment for disobedience to orders. Conspicuous amongst the
figures are two little middies, habited in the strange naval uniform of
sixty years ago. The illustration to _The Braintrees_, at page 90 of the
"Three Courses and a Dessert" is a marvellous specimen, not only of the
graphic power of the artist, but a triumph of the wood-engraver's
craft. In _The Gin Shop_ ("Sketches by Boz"), the artist selected a
subject which invariably enlisted his sympathy and called into action
the full power of his graphic satire. Mark the flaming gas, the huge
spirit vats, the gaudily painted pillars and mouldings; above all, the
strange people: the young man with his hat on one side who chaffs the
young ladies behind the bar, the gin-drinking female by his side, the
gin-loving cripple, the small boy who brings the family bottle to be
filled with gin, whose head barely reaches the counter, the gin-drinking
charwoman to the left, and the quarrelsome gin-drinking Irish customers
at the back. Everything in this picture reeks of _gin_; the only persons
not imbibing it are the proprietor and his dowdy barmaids, whom I have
no manner of doubt the artist intended to look captivating.
Public-domain text, read in full here on John Shaqi.
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