English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
as this? Authors and publishers wholly ceased to employ him; and he was
left without work in the very pride of his artistic career. He turned to
oil painting; was taken by the hand by the influential few who
appreciated, pitied, and loved him; but from the moment that he became a
temperance advocate, to the literary world and to the general public
this most singular and original genius was to all practical intents and
purposes--dead.
These observations, I repeat, are made in no spirit of hostility to the
sincere and earnest men who would seek to reduce the crime and misery
which owe their origin to the immoderate use of ardent spirits. So far
from this being the case, I hold their cause to be so righteous, so
sensible, that it seems to me as effectually advocated by a plain,
simple, earnest man as by a great artist and man of genius. I say
advisedly, that the cause of temperance had been better served had
Cruikshank stuck to his pencil and his etching needle, instead of
seeking the position of a temperance advocate, and stumping the
provinces with his absurd panorama of _The Worship of Bacchus_.
Thirty years of quite sterling and admirable work were now to be
followed by thirty years of artistic sterility, for from this Rip Van
Winkle slumber of thirty years' duration his reputation never once
awoke. Out of the dreary desert of mental and artistic inactivity came
forth at long distant intervals specimens of his handiwork, which
served, it is true, to remind us of what he once was capable, but failed
to restore him to the place he had for ever lost in public estimation;
such were the illustrations to Angus Bethune Reach's "Clement Lorymer,"
to Robert Brough's "Life of Sir John Falstaff," to Smedley's "Frank
Fairleigh," to George Raymond's "Life and Enterprises of Elliston," to
his own _so-called_ "Fairy Library." Good and excellent as this work
was, it utterly failed to lend even a passing vitality to his departed
reputation, a fact sufficiently and vexatiously proved when he essayed
once more to start a magazine of his own, which met with such little
encouragement that _only two parts were issued_.
Public-domain text, read in full here on John Shaqi.
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