English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
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English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
"Music hath charms to soothe the savage breast,
To soften rocks, or bend a knotted oak."
The irritable personage awoke from his slumbers by the music of the
waits, certainly does not belong to any of the order of animate or
inanimate subjects so softened, soothed, or bent, as aforesaid, for he
opens his window and prepares to discharge the contents of his jug on
the heads of the devoted minstrels. If the ancient ophicleide player,
with the brandy bottle protruding from his great coat pocket, might but
know of the impending cataract which more immediately threatens himself,
he would convey himself from the dangerous neighbourhood with all the
alacrity of which his spindle shanks are capable. A younger neighbour on
the opposite side of the street awaits the catastrophe with amused
interest, whilst a drunken "unfortunate" executes--under the elevating
influences of music and drink--a _pas seul_ on the pavement below. In
the etching of _Story Telling_, the deep shadows of an old baronial hall
are illuminated solely by the moonbeams and the flickering flame of the
firelight; a door opens into a gallery beyond, and one of the listeners,
fascinated by the ghost story to which she is listening, glances
fearfully over her shoulder as if apprehensive that something uncanny
will presently issue out of the black recesses. The ghostly surroundings
have their influences on the very cat, who looks uneasily about her as
if afraid of her shadow. Besides the thirty-six etchings on copper, the
book contains several charming woodcuts, impressed on paper of a very
different quality to that on which the artist was accustomed to behold
impressions from his wood blocks.
Public-domain text, read in full here on John Shaqi.
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