English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
A change of opinion however is obviously a necessary incident of
political life, and we have ourselves witnessed some remarkable
instances of such versatility in our own days. In some cases these
changes are only temporary or partial, in others they are radical and
complete; sometimes they are dictated by conviction, at others by
necessity; occasionally they seem to be the result of absolute caprice;
while in not a few instances, I fear, we should not be very far wrong in
assigning them to feelings of disappointment or personal or political
pique. This tergiversation in public men forms the subject of one of
HB's happiest inspirations. In 1837 there appeared at the Adelphi
Theatre an American comedian named Rice, the forerunner of the Christies
and other "original" minstrels of our day, who sang in his character of
a nigger a comic (?) song, which, being wholly destitute of melody, and
even more idiotic than compositions of that kind usually are, forthwith
became exceedingly popular, being groaned by every organ, and whistled
by all the street urchins of the day. This peculiar production, which
was known as "Jim Crow," was accompanied by a characteristic double
shuffle, while every verse concluded with this intellectual chorus:--
"Turn about, and wheel about,
And do just _so_;
And every time I turn about,
I jump Jim Crow."
In _Jim Crow Dance and Chorus_ (the title of the sketch referred to), we
find the leading men of all parties assembled at a ball, engaged in the
new saltatory performance initiated by Mr. Rice. In the left-hand corner
we notice Lord Abinger, formerly Sir James Scarlett, a Whig, who growing
tired of waiting for the advent of his own party to power, changed his
political opinions--that is to say "jumped Jim Crow,"--and was made
Attorney General by the Duke of Wellington. Next him is Lord Stanley,
who commenced life as a Whig and was a member of Lord Grey's Reform
administration, but unprepared to go the lengths which his party seemed
disposed to take, he too "jumped Jim Crow," deserted them, and joined
the ranks of the Opposition. Lord Stanley's _vis-a-vis_ is Sir James
Graham; in his early days he had distinguished himself by the strength
of his radical opinions, but as a member of Lord Grey's cabinet, he
suppressed these sentiments, and "jumped Jim Crow" by confining himself
more strictly within Whig limits. Conspicuous amongst the performers is
Lord Melbourne! When in office under Mr. Canning he had made several
anti-Reform speeches, but afterwards became a member of the Government
of Lord Grey by which Reform was carried;--as Prime Minister he went far
nearer to the principles of absolute democracy than either Lord Grey or
Lord Althorp. Lord Melbourne's face, however, shows unmistakable
repugnance at finding that his numerous "wheels about" have brought him
face to face with O'Connell, and he turns in disgust from the famous
agitator, who, with his thumb to his nose and his left arm stuck in his
Public-domain text, read in full here on John Shaqi.
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