English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
stranger; and further, that by reason of the absence of such knowledge
and practice, he falls far behind Hogarth, Gillray, Bunbury, Rowlandson,
or the Cruikshanks. With these artists indeed, as we have endeavoured to
show, John Doyle has nothing in common, and he evidently designed that
no comparison should ever be instituted between any one of them and
himself. His chief merits are to be found in the facility with which he
grasped an idea; the harmlessness and playfulness of his satire, which
wrought a complete revolution in the style and manner of caricaturists;
and above all in the excellence of his likenesses. The best and most
graceful of the series was produced just after the wedding of her
Majesty, and is a transcript (as it were) of Stothard's beautiful design
of _The Procession of the Flitch of Bacon_, the leading personages being
the young Queen and the late Prince Consort, whose portraits are
admirably executed. Towards the close of the series they show signs of
failing power, not unnatural in an artist who during a course of twenty
years had produced upwards of a thousand drawings. I have seen it
somewhere stated that this deterioration dates from the period when the
identity of HB was discovered; but inasmuch as this secret had been
practically revealed long before the decadence commences, there is no
just ground for any such assumption.
The reputation of the "Political Sketches" was, however, ephemeral, and
considering their popularity and the eagerness with which they were
bought up at the time, it is surprising how completely they have passed
into oblivion. The name of HB, or of John Doyle, is now not only
"caviare to the general," but it is amazing how little until lately he
was known even to men not altogether ignorant on the subject of
satirical art. A gentleman to whom I am indebted for some valuable
information, tells me that some three or four years since "a large
number of _original_ sketches (not the engravings) were catalogued and
announced for sale at Christies'. I went," he says, "possibly to buy
several, but (and it is curious as showing the decadent interest in the
pictures) no sale took place, because I was told there was no one to
buy. I think," my informant adds, "that I was the only person, or
nearly the only person, in the room." Distinguished people, however, had
been to look at the drawings, and among them the late Lord Beaconsfield.
Public-domain text, read in full here on John Shaqi.
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