English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
The eccentric and original costumes in which he draped the classical
characters of Rome appear to have been a favourite idea with the artist.
Shirley Brooks relates that he first made his acquaintance at a fancy
ball given at the house of their mutual friend, the late John Parry.
"Leech's costume," says the late editor of _Punch_, "I well remember. It
was something like Charles Mathews, as chorus to Medea. The black
trousers and patent leather boots of decorous life were below; but above
was the classic tunic. Then in addition he wore a fine new hat, round
which, instead of around his head, was the laurel wreath; and the Greek
ideal was brought into further discomfiture by a pair of spectacles and
an exceedingly neat umbrella." This comical idea will be found
ridiculously amplified in his amazing designs to "The Comic History of
Rome."
ALBERT SMITH.
Medical student, novelist, dramatist, humourist, and showman--for some
of us still remember his diorama of "The Overland Route"--the most
fortunate venture of Albert Richard Smith (to give him his full name)
was his ascent of Mont Blanc, which formed the theme of a
well-remembered lecture, in which his perils amid rocky pinnacle,
snow-field, and glacier lost nothing by the graphic mode in which they
were related. This "ascent," by the way, proved a source of profit to
others besides himself; and we should be curious to know the number of
Chamounix guides and hotel-keepers who were enabled through his indirect
means to retire into private life. The memory of Albert Smith is
deservedly cherished by the inhabitants of the distant Savoyard valley,
for he made the ascent of the "Monarch of Mountains" popular among his
countrymen, and thereby sowed the seed of a succession of golden
harvests, of which the primitive but thoroughly wide-awake peasantry
were by no means slow to profit. Dissimilar in many respects, Albert
Smith and John Leech had this bond of sympathy between them, that both
were old friends, and both had nominally studied for the medical
profession; and whilst Leech attained at St. Bartholomew's that
practical knowledge of anatomical drawing which did him such good
service in his artistic career, Albert Smith at Middlesex Hospital and
the _Hotel Dieu_ appears to have picked up that intimate acquaintance
with London and Parisian student life which he displays in the
"Adventures of Mr. Ledbury."
Public-domain text, read in full here on John Shaqi.
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