English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
The poor old lady was beyond the help of the Bath waters or of any
earthly assistance. We find Mrs. Piozzi writing a few months later on:
"Nothing kills the queen, however. It is really a great misfortune to be
kept panting for breath so, and screaming with pain by medical skill:
were she a subject, I suppose they would have released her long ago; but
diseases and distresses of the human frame must lead to death at
length," which was the case with the poor old queen, who died nine
months after the date of the satire (in November, 1818).
The announcement of the marriages of four of her children this year,
viz.: of the Princess Elizabeth to Frederick, Landgrave of Hesse
Homburg; of Edward Augustus, Duke of Kent, to Victoria, daughter of the
Duke of Saxe-Coburg (and mother of Queen Victoria), on the 29th of May;
of Adolphus Frederick, Duke of Cambridge, to Augusta, daughter of the
Landgrave of Hesse, on the 1st of May; and of William Henry, Duke of
Clarence (afterwards William the Fourth), to Adelaide, daughter of the
Duke of Saxe-Meiningen, on the 11th of July, gave rise to a coarse
though admirably executed caricature entitled, _The Homburg Waltz, with
Characteristic Sketches of Family Dancing_, in which all these royal
personages, with the Regent at their head, are seen prominently figuring
amongst the dancers.
INVENTION OF THE KALEIDOSCOPE.
A forgotten but ingenious instrument, the kaleidoscope, was invented by
Sir David Brewster in 1818. The leading principles of the toy appear to
have been accidentally discovered in the course of a series of
experiments on the polarization of light by successive reflections
between plates of glass. The invention of this now despised toy made a
tremendous sensation at the time, and the inventor was induced to take
out a patent for its protection; but he had, it appears, divulged the
secret of its construction before he had secured the invention to
himself, and the consequence was that, although "it made a hundred
shopmen rich," it brought the inventor himself but little substantial
benefit. This is explained by the fact that it was so simple in
construction, that even when made without scientific accuracy, it served
to delight as well as to amuse. So largely was it pirated, that it was
calculated that no fewer than two hundred thousand were sold in three
months in London and Paris alone. Judging by a caricature of
Williams's, published by Fores in June, 1818, and its doggerel
explanation, the toys would appear even at this time to have been made
and sold by every street boy. The satire is called, _Caleidoscopes, or
Paying for Peeping_. In it, we see the pertinacious vendors pushing the
sale of their wares upon the passengers in the streets--many of them
women. A bishop resolves to buy one because the coloured glass reminds
him of a painted window in his cathedral, another person has paid dearly
for "peeping," and discovers that while gratifying his curiosity, his
Public-domain text, read in full here on John Shaqi.
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