English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
The marriage of Caroline, daughter of Charles, Duke of
Brunswick-Wolfenbuettel, with George, Prince of Wales, was solemnized on
the 8th of April, 1795. Exactly one year afterwards, and three months
after the birth of their child, the Princess Charlotte, the pair
separated. The separation was effected at the instance of the prince,
and the reasons for his wishing to live apart from her are assigned in a
letter which he sent her Royal Highness through Lord Cholmondeley: "Our
_inclinations_," he told her, "are not in our own power; nor should
either be answerable to the other because nature has not made us
suitable to each other. Tranquil and comfortable society is, however, in
our power; let our intercourse therefore be restricted to _that_."
Sixty years have elapsed since this miserable woman died, and we who are
no longer biassed by the political leanings which more or less
influenced those who regarded her with favour or prejudice, are enabled
to consider the circumstances from a fair and dispassionate point of
view. In order that the reader may form his own conclusions of her
character and disposition, we prefer to quote authorities whose
political sympathies were distinctly favourable to her cause. Writing of
his grandmother, Lady de Clifford (governess of the Princess Charlotte),
Lord Albermarle tells us: "She [Lady de Clifford] used often to recount
to me the events of her court life. The behaviour of the Princess of
Wales (this was before she left England) naturally came under review. I
fear that the judgment she formed of the conduct of this much sinned
against and sinning lady coincides but too closely with the verdict that
public opinion has since passed upon her. To Lady de Clifford she was
the source of constant anxiety and annoyance. Often, when in obedience
to the king's [George III.] commands, my grandmother took her young
charge to the Charlton Villa, the Princess of Wales would behave with a
_levity of manner and language that the presence of her child and her
child's governess were insufficient to restrain_. On more than one
occasion, Lady de Clifford was obliged to threaten her with making such
a representation to the king as would tend to deprive her altogether of
the Princess Charlotte's society. These remonstrances were always taken
in good part, and produced promises of amendment."[23] The Hon. Amelia
Murray tells us in her "Recollections from 1803 to 1837": "There was
about this period an extravagant _furore_ in the cause of the Princess
of Wales. She was considered an ill-treated woman, and that was enough
to arouse popular feeling. My brother was among the young men who helped
to give her an ovation at the opera. A few days afterwards he went to
breakfast at a place near Woolwich. There he saw the princess, in a
gorgeous dress, which was looped up to show her petticoat covered with
stars, with silver wings on her shoulders, sitting under a tree, _with a
Public-domain text, read in full here on John Shaqi.
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