English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
"This is the Chief J---- who, as the Lords tell,
Swore that the reflections were false!--black as h----!
_And though such bad words no man can use fewer_,
In his rage it was fear'd he would pistol the Brewer[30]
For moving the senate, who all cried, oh fie!
That the Lady and B----[31] had told a d----d lie,
And were unworthy credit the oaths they did try;
And lamented the witness, whose answer when penn'd,
Without questions which drew them, appear'd to portend
More reproach than she meant against her good friend.
While the hireling servants examined by law,
Who thought by a stretch to gain some _eclat_,
While before the commissioners named by the King,
To investigate matters and witnesses bring," etc., etc.
The eighth of the series is "the spring that set all in motion," the
satirist's meaning being indicated by a throne, on which lies a cocked
hat adorned with the Prince of Wales' feathers, and beneath it, as is
usual in a large proportion of the satires which allude to the
prince-regent, a number of empty bottles.
The Regent seems never to have lost an opportunity of insulting his
uncongenial and unfortunate wife. In anticipation of the expected visit
of the allied sovereigns in June, 1814, the prince conveyed an
intimation to his royal mother that, as he considered his presence could
not be dispensed with at her ensuing drawing-rooms, he desired it to be
distinctly understood, "for reasons of which he alone could be the
judge, to be his fixed and unalterable determination not to meet the
Princess of Wales upon any occasion, either in public or private."[32]
Queen Charlotte was bound of course to give an official intimation to
that effect to the Princess Caroline, which, on the 24th and 26th of
May, 1814, brought from her letters to the queen and the Regent. In the
first of these communications she intimated her intention of "making
public the cause of her absence from Court at a time when the duties of
her station would otherwise peculiarly demand her attendance"; while her
letter to her husband contained the following intimation: "Your Royal
Highness may possibly refuse to read this letter; but the world must
know that I have written it, and they will see my real motives for
foregoing in this instance the rights of my rank. Occasions, however,
may arise (one, I trust, is far distant) when I _must_ appear in public,
and your Royal Highness must be present also. Can your Royal Highness
have contemplated the full extent of your declaration? Has your Royal
Highness forgotten the approaching marriage of our daughter [to the
Prince of Orange] and the possibility of our coronation?" These words
show that from the first Caroline had decided, _coute que coute_, when
the time came to assert her position, in spite of the opposition of her
husband and any obstacles which might be raised by his friends and
advisers.
Public-domain text, read in full here on John Shaqi.
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