English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
II. Two fragments have been carefully preserved and re-used from an
early Norman church—it may even have been of Pre-Conquest date. One is a
fragment of a lintel over a doorway in the north transept, depicting St.
Michael and the Dragon and David throttling the lion. The other is a set
of capitals on the eastern piers of the tower, now unfortunately covered
up to make room for more organ pipes. (A mania for big organs is raging
in our cathedrals: nothing short of the roar and rumble of an earthquake
will bring people nowadays into a devotional frame of mind.)
[Illustration: NAVE.]
III. Between 1109 and 1114 a new Norman church was begun. Of this the
choir has disappeared. As the choir would be built first, 1120 is given
as an approximate date for the transept and 1130 for the nave. The
cable-mouldings, however, of the crossing and transepts, and the carving
of the nave-capitals, are so rich and effective that the work is probably
somewhat later. Indeed, the whole of the ornamentation is far ahead of
that at Ely, Norwich and Peterborough, Tewkesbury or Gloucester. The
carved capitals may be compared with those of the nave of Hereford. The
interior of the nave is low and squat, but has been vastly improved by
Mr. Christian’s semicircular ceiling. The piers are stumpy cylinders;
the elevation is that of Malvern, or St. Bartholomew’s, Smithfield. Here
there are none of the tall compound piers of Peterborough or Ely, still
less the Brobdingnagian cylinders of Tewkesbury or Gloucester. Each bay
of the triforium was to have been filled with the same kind of arcade as
that of Romsey choir: viz., two small arches, with a small shaft rising
from their point of intersection. (Projecting stones, intended for the
arches and the shaft, may be seen in each bay.) The Romsey design was
not a success even in the eyes of the Romsey people, for they tried
five other designs in the triforium of their transept; and the Southwell
canons very sensibly omitted this inner arcade. The clerestory, with its
circular windows, is remarkable; the same design was worked out very
beautifully, later on, in the north transept of Hereford.
[Illustration: SOUTH TRANSEPT DOOR.]
Public-domain text, read in full here on John Shaqi.
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