English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
Indeed, everything in the presbytery has an early look, except its plan
and the shape of its apses. The plan is exceedingly complicated; with
apse, ambulatory, and radiating chapels. But all three features appear in
the ancient church of Vignory, which cannot well be later than the middle
of the eleventh century. The radiating chapels, indeed, go back to the
very earliest days of Christian architecture; for they formed part of the
Basilican church of the Holy Sepulchre at Jerusalem, as built, A.D. 326,
by the Emperor Constantine; and have survived all the transformations
which that church has undergone. That the apses, indeed, should not
be semicircular—as they are even in St. Hugh’s choir of Lincoln—but
polygonal, is certainly startling; though here also there are precedents
as far back as the sixth century, in such Byzantine churches as that of
S. Apollinare in Classe, near Ravenna. In the nave, on the other hand,
everything points to a date well advanced—certainly not earlier than
1122. Not only the loftiness of the columns, but the fact that they are
columns, is a mark of twelfth-century work. The column does not occur in
Normandy, the mother of our Romanesque; but everywhere the compound pier.
Capital and abacus, too, are circular on plan; this is usually a sign of
late Norman work. The nave of Southwell, which also has circular capitals
and abaci, was not built before 1120. But the ornamentation of the nave
is decisive: the zigzag and the cables could not have been executed in
the days of Prior Conrad of Canterbury, before the chisel had come into
use.
[Illustration: TRIFORIUM OF APSE.]
Something, however, was consecrated at Gloucester in 1100; and that was
probably the eastern arm of the church—not necessarily the chapels—and as
much of the rest of the church as was necessary to complete the enclosure
of the monastery: viz., part of the north transept and the wall of the
north aisle of the nave as high as the sills of the windows. Then the
monks probably turned their attention to the domestic buildings of the
monastery, which till now may have been temporary buildings of wood, and
only some twenty years later resumed work in the church, which they then
completely finished.
Perhaps the first thing to do would be to add the top storey to the
presbytery; for a church seems not unfrequently to have been consecrated
before its clerestory was built, a temporary roof being erected at the
level of the triforium. The presbytery being at last really completed,
the monks would then proceed to complete the transepts and the crossing,
to build the lower stage of the tower, and the nave and west front.
When they did reach the nave, they altered the design altogether; as
did the Tewkesbury monks also. They put up naves of the worst possible
proportions; with piers so lofty that triforium and clerestory were
almost squeezed out of existence.
Public-domain text, read in full here on John Shaqi.
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