English Cathedrals Illustrated: Second and Revised EditionBond, Francis
History
English Cathedrals Illustrated: Second and Revised Edition
Bond, Francis
Cathedrals -- England; Cathedrals -- Wales
VIII. The cathedral was now completed from east to west. But the canons
had at once to start again. St. John the Baptist’s chapel, though
enlarged, was all too small for the pilgrims who crowded to Lincoln,
attracted by the miracles wrought at St. Hugh’s shrine. The apse of his
choir was therefore pulled down, and in its stead was built an eastern
presbytery of five bays (1256-1280). This is the famous Angel choir,
really the memorial chapel and tomb-house of St. Hugh. His shrine was
solemnly translated to it in 1280. A little too crowded with ornament, it
is yet the most lovely work of the age—one of the masterpieces of English
Gothic. To the same period, probably, belong the superb arches inserted
at the west end of the choir aisles with the idea of buttressing the
eastern piers of the new tower; also the north, south and east screens of
the choir, parts of which are old, the rest built by Essex in 1769.
IX. About 1290 were built the Easter Sepulchre and so-called tomb of
Remigius, on the north side of the choir, with naturalistic foliage of
oak, fig, and vine. Here the consecrated Host was watched from Maundy
Thursday to Easter Sunday. Still finer Easter sepulchres may be seen at
Hawton and Heckington. The upper stage of the central tower was erected
in 1307. The tower is 271 feet high; and anxious, as usual, for external
effect, the canons actually added a timber spire, raising it to the vast
height of 525 feet, a height which exceeds even that of the new spires
of Cologne cathedral. The effective cut battlements are by Essex. The
tower is not built solid, but, to save weight, is “constructed of two
thin walls, tied at intervals, with a vacuum between them” (cf. Hereford
and Wells). It is gathered in 2½ inches near the top, so as not to look
top-heavy. The remains of the shrine of Little St. Hugh (in the south
choir aisle) seem to be _c._ 1310. In the cloisters, built _c._ 1296, is
a great curiosity—an incised slab with a portrait of a Gothic architect,
Richard of Gainsborough, the builder of the Angel choir. A replica has
been made of it.
X. CURVILINEAR.—In 1320 died good Bishop Dalderby. He was worshipped as
a saint, though Rome refused his canonisation. His remains were placed
in a silver shrine on the west side of the south transept: some of the
pedestals of it may be seen there still. Miracles were wrought at his
shrine; and from the offerings the gable of this transept was in all
probability reconstructed, including the “Bishop’s Eye,” which is as
strong constructionally as it is beautiful. The lovely pierced parapet of
this transept should be noticed, and the fine window in the gable. The
parapet was carried westward all along the south side of the nave and
across the west front; and handsome pinnacles were erected, with niches
once peopled with statues.
[Illustration: FROM SOUTH-EAST.]
Now also was erected the choir-screen, of charming design, very similar
to that of the west side of Southwell screen.
Public-domain text, read in full here on John Shaqi.
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