Everywhere we see the skirted coat, the big flapped waistcoat; even
beggar boys, little pot-high urchins, are wearing some old laced
waistcoat tied with string about their middles--a pair of
heel-trodden, buckleless shoes on their feet, more likely bare-footed.
Here is a man snatched from the tripe-shop in Hanging Sword Alley by
the King's men--a pickpocket, a highwayman, a cut-throat in hiding. He
will repent his jokes on Jack Ketch's kitchen when he feels the lash
of the whip on his naked shoulders as he screams behind the cart-tail;
ladies in flowered hoops will stop to look at him, beaux will lift
their quizzing glasses, a young girl will whisper behind a fan,
painted with the loves of Jove, to a gorgeous young fop in a
light-buttoned coat of sky-blue.
[Illustration: {A man of the time of George I.}]
There is a sadder sight to come, a cart on the way to Tyburn, a poor
fellow standing by his coffin with a nosegay in his breast; he is full
of Dutch courage, for, as becomes a notorious highwayman, he must show
game before the crowd, so he is full of stum and Yorkshire stingo.
Maybe we stop to see a pirate hanging in chains by the river, and we
are jostled by horse officers and watermen, revenue men and jerkers,
and, as usual, the curious beau, his glass to his eye. Never was such
a time for curiosity: a man is preaching mystic religion; there is a
new flavour to the Rainbow Tavern furmity; there is a fellow who can
sew with his toes; a man is in the pillory for publishing Jacobite
ballads--and always there is the beau looking on.
[Illustration: {A woman of the time of George I.}]
Country ladies, still in small hoops, even in full dresses innocent
of whalebone, are bewildered by the noise; country gentlemen, in
plain-coloured coats and stout shoes, have come to London on South Sea
Bubble business. They will go to the Fair to see the Harlequin and
Scaramouch dance, they will buy a new perfume at The Civet Cat, and
they will go home--the lady's head full of the new hoop fashion, and
she will cut away the sleeve of her old dress and put in fresh lace;
the gentleman full of curses on tavern bills and the outrageous price
of South Sea shares.
[Illustration: {A man of the time of George I.}]
'And what,' says country dame to country dame lately from town--'what
is the mode in gentlemen's hair?' Her own goodman has an old periwig,
very full, and a small bob for ordinary wear.
[Illustration: {A man of the time of George I.}]
'The very full periwig is going out,' our lady assures her; 'a tied
wig is quite the mode, a wig in three queues tied in round bobs, or in
hair loops, and the long single queue wig is coming in rapidly, and
will soon be all the wear.' So, with talk of flowered tabbies and
fine lutestring, are the fashions passed on.
[Illustration: A WOMAN OF THE TIME OF GEORGE I. (1714-1727)
Public-domain text, read in full here on John Shaqi.
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