George Brummell came into the world on June 7, 1778. He was a year or
so late for the Macaroni style of dress, many years behind the
Fribbles, after the Smarts, and must have seen the rise and fall of
the Zebras when he was thirteen. During his life he saw the
old-fashioned full frock-coat, bagwig, solitaire, and ruffles die
away; he saw the decline and fall of knee-breeches for common wear,
and the pantaloons invented by himself take their place. From these
pantaloons reaching to the ankle came the trousers, as fashionable
garments, open over the instep at first, and joined by loops and
buttons, then strapped under the boot, and after that in every manner
of cut to the present style. He saw the three-cornered hat vanish from
the hat-boxes of the polite world, and he saw fine-coloured clothes
give way to blue coats with brass buttons or coats of solemn black.
It may be said that England went into mourning over the French
Revolution, and has not yet recovered. Beau Brummell, on his way to
Eton, saw a gay-coloured crowd of powdered and patched people, saw
claret-coloured coats covered with embroidery, gold-laced hats,
twinkling shoe-buckles. On his last walks in Caen, no doubt, he
dreamed of London as a place of gay colours instead of the drab place
it was beginning to be.
To-day there is no more monotonous sight than the pavements of
Piccadilly crowded with people in dingy, sad clothes, with silk tubes
on their heads, their black and gray suits being splashed by the mud
from black hansoms, or by the scatterings of motor-cars driven by
aristocratic-looking mechanics, in which mechanical-looking
aristocrats lounge, darkly clad. Here and there some woman's dress
enlivens the monotony; here a red pillar-box shines in the sun; there,
again, we bless the Post-Office for their red mail-carts, and perhaps
we are strengthened to bear the gloom by the sight of a blue or red
bus.
But our hearts are not in tune with the picture; we feel the lack of
colour, of romance, of everything but money, in the street. Suddenly a
magnificent policeman stops the traffic; there is a sound of jingling
harness, of horses' hoofs beating in unison. There flashes upon us an
escort of Life Guards sparkling in the sun, flashing specks of light
from swords, breastplates, helmets. The little forest of waving
plumes, the raising of hats, the polite murmuring of cheers, warms us.
We feel young, our hearts beat; we feel more healthy, more alive, for
this gleam of colour.
Then an open carriage passes us swiftly as we stand with bared heads.
There is a momentary sight of a man in uniform--a man with a wonderful
face, clever, dignified, kind. And we say, with a catch in our voices:
'THE KING--GOD BLESS HIM!'
THE END
BILLING AND SONS, LTD., PRINTERS, GUILDFORD, ENGLAND
* * * * *
Transcriber's note:
Public-domain text, read in full here on John Shaqi.
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