Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
It is difficult to define pleasure in its highest sense; the
definition involving a number of apparent paradoxes. For, from an
inexplicable defect of harmony in the constitution of human nature,
the pain of the inferior is frequently connected with the pleasures of
the superior portions of our being. Sorrow, terror, anguish, despair
itself, are often the chosen expressions of an approximation to the
highest good. Our sympathy in tragic fiction depends on this
principle; tragedy delights by affording a shadow of the pleasure
which exists in pain. This is the source also of the melancholy which
is inseparable from the sweetest melody. The pleasure that is in
sorrow is sweeter than the pleasure of pleasure itself. And hence the
saying, ‘It is better to go to the house of mourning, than to the
house of mirth.’ Nor that this highest species of pleasure is
necessarily linked with pain. The delight of love and friendship, the
ecstasy of the admiration of nature, the joy of the perception and
still more of the creation of poetry, is often wholly unalloyed.
The production and assurance of pleasure in this highest sense is true
utility. Those who produce and preserve this pleasure are poets or
poetical philosophers.
The exertions of Locke, Hume, Gibbon, Voltaire, Rousseau,[12] and
their disciples, in favour of oppressed and deluded humanity, are
entitled to the gratitude of mankind. Yet it is easy to calculate the
degree of moral and intellectual improvement which the world would
have exhibited, had they never lived. A little more nonsense would
have been talked for a century or two; and perhaps a few more men,
women, and children, burnt as heretics. We might not at this moment
have been congratulating each other on the abolition of the
Inquisition in Spain. But it exceeds all imagination to conceive what
would have been the moral condition of the world if neither Dante,
Petrarch, Boccaccio, Chaucer, Shakespeare, Calderon, Lord Bacon, nor
Milton, had ever existed; if Raphael and Michael Angelo had never been
born; if the Hebrew poetry had never been translated; if a revival of
the study of Greek literature had never taken place; if no monuments
of ancient sculpture had been handed down to us; and if the poetry of
the religion of the ancient world had been extinguished together with
its belief. The human mind could never, except by the intervention of
these excitements, have been awakened to the invention of the grosser
sciences, and that application of analytical reasoning to the
aberrations of society, which it is now attempted to exalt over the
direct expression of the inventive and creative faculty itself.
[12] Although Rousseau has been thus classed, he was
essentially a poet. The others, even Voltaire, were mere
reasoners.
Public-domain text, read in full here on John Shaqi.
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