Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
fantasies,’--neither poetry nor philosophy--nothing to dazzle, nothing
to excite modern curiosity; but to his lack-lustre eyes there
appeared, within the pages of the ponderous, unwieldy, neglected
tomes, the sacred name of JEHOVAH in Hebrew capitals: pressed down by
the weight of the style, worn to the last fading thinness of the
understanding, there were glimpses, glimmering notions of the
patriarchal wanderings, with palm-trees hovering in the horizon, and
processions of camels at the distance of three thousand years; there
was Moses with the Burning Bush, the number of the Twelve Tribes,
types, shadows, glosses on the law and the prophets; there were
discussions (dull enough) on the age of Methuselah, a mighty
speculation! there were outlines, rude guesses at the shape of Noah’s
Ark and at the riches of Solomon’s Temple; questions as to the date of
the creation, predictions of the end of all things; the great lapses
of time, the strange mutations of the globe were unfolded with the
voluminous leaf, as it turned over; and though the soul might slumber
with an hieroglyphic veil of inscrutable mysteries drawn over it, yet
it was in a slumber ill-exchanged for all the sharpened realities of
sense, wit, fancy, or reason. My father’s life was comparatively a
dream; but it was a dream of infinity and eternity, of death, the
resurrection, and a judgement to come!
No two individuals were ever more unlike than were the host and his
guest. A poet was to my father a sort of nondescript: yet whatever
added grace to the Unitarian cause was to him welcome. He could hardly
have been more surprised or pleased, if our visitor had worn wings.
Indeed, his thoughts had wings; and as the silken sounds rustled round
our little wainscoted parlour, my father threw back his spectacles
over his forehead, his white hairs mixing with its sanguine hue; and a
smile of delight beamed across his rugged cordial face, to think that
Truth had found a new ally in Fancy![14] Besides, Coleridge seemed to
take considerable notice of me, and that of itself was enough. He
talked very familiarly, but agreeably, and glanced over a variety of
subjects. At dinner-time he grew more animated, and dilated in a very
edifying manner on Mary Wollstonecraft and Mackintosh. The last, he
said, he considered (on my father’s speaking of his _Vindiciae
Gallicae_ as a capital performance) as a clever scholastic man--a
master of the topics,--or as the ready warehouseman of letters, who
knew exactly where to lay his hand on what he wanted, though the goods
were not his own. He thought him no match for Burke, either in style
or matter. Burke was a metaphysician, Mackintosh a mere logician.
Burke was an orator (almost a poet) who reasoned in figures, because
he had an eye for nature: Mackintosh, on the other hand, was a
rhetorician, who had only an eye to commonplaces. On this I ventured
to say that I had always entertained a great opinion of Burke, and
Public-domain text, read in full here on John Shaqi.
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