Criticism; English essays; English poetry -- 19th century -- History and criticism; Poetry
To conclude this part of my subject, I will quote from the greatest of
all narrative writers two passages;--one exemplifying the imagination
which brings supernatural things to bear on earthly, without
confounding them; the other, that which paints events and
circumstances after real life. The first is where Achilles, who has
long absented himself from the conflict between his countrymen and the
Trojans, has had a message from heaven bidding him reappear in the
enemy’s sight, standing outside the camp-wall upon the trench, but
doing nothing more; that is to say, taking no part in the fight. He is
simply to be seen. The two armies down by the sea-side are contending
which shall possess the body of Patroclus; and the mere sight of the
dreadful Grecian chief--supernaturally indeed impressed upon them, in
order that nothing may be wanting to the full effect of his courage
and conduct upon courageous men--is to determine the question. We are
to imagine a slope of ground towards the sea, in order to elevate the
trench; the camp is solitary; the battle (‘a dreadful roar of men,’ as
Homer calls it) is raging on the sea-shore; and the goddess Iris has
just delivered her message, and disappeared.
But up Achilles rose, the lov’d of heaven;
And Pallas on his mighty shoulders cast
The shield of Jove; and round about his head
She put the glory of a golden mist,
From which there burnt a fiery-flaming light.
And as, when smoke goes heavenward from a town,
In some far island which its foes besiege,
Who all day long with dreadful martialness
Have pour’d from their own town; soon as the sun
Has set, thick lifted fires are visible,
Which, rushing upward, make a light in the sky,
And let the neighbours know, who may perhaps
Bring help across the sea; so from the head
Of great Achilles went up an effulgence.
Upon the trench he stood, without the wall,
But mix’d not with the Greeks, for he rever’d
His mother’s word; and so, thus standing there,
He shouted; and Minerva, to his shout,
Added a dreadful cry; and there arose
Among the Trojans an unspeakable tumult.
And as the clear voice of a trumpet, blown
Against a town by spirit-withering foes,
So sprang the clear voice of Aeacides.
And when they heard the brazen cry, their hearts
All leap’d within them; and the proud-maned horses
Ran with the chariots round, for they foresaw
Calamity; and the charioteers were smitten,
When they beheld the ever-active fire
Upon the dreadful head of the great-minded one
Burning; for bright-eyed Pallas made it burn.
Thrice o’er the trench divine Achilles shouted;
And thrice the Trojans and their great allies
Roll’d back; and twelve of all their noblest men
Then perish’d, crush’d by their own arms and chariots.
_Iliad_, xviii. 203.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account