Where, as in some of our older poets, a poetic nature has been united with logical and scientific culture, the peculiarity of association arising from the finer nature so perpetually alternates with the associations attainable by commoner natures trained to high perfection, that its own particular law is not so conspicuously characteristic of the result produced, as in a poet like Shelley, to whom systematic intellectual culture, in a measure proportioned to the intensity of his own nature, has been wanting. Whether the superiority will naturally be on the side of the philosopher-poet or of the mere poet--whether the writings of the one ought, as a whole, to be truer, and their influence more beneficent, than those of the other--is too obvious in principle to need statement: it would be absurd to doubt whether two endowments are better than one; whether truth is more certainly arrived at by two processes, verifying and correcting each other, than by one alone. Unfortunately, in practice the matter is not quite so simple; there the question often is, which is least prejudicial to the intellect, uncultivation or malcultivation. For, as long as education consists chiefly of the mere inculcation of traditional opinions, many of which, from the mere fact that the human intellect has not yet reached perfection, must necessarily be false; so long as even those who are best taught, are rather taught to know the thoughts of others than to think, it is not always clear that the poet of acquired ideas has the advantage over him whose feeling has been his sole teacher. For the depth and durability of wrong as well as of right impressions is proportional to the fineness of the material; and they who have the greatest capacity of natural feeling are generally those whose artificial feelings are the strongest. Hence, doubtless, among other reasons, it is, that in an age of revolutions in opinion, the co-temporary poets, those at least who deserve the name, those who have any individuality of character, if they are not before their age, are almost sure to be behind it. An observation curiously verified all over Europe in the present century. Nor let it be thought disparaging. However urgent may be the necessity for a breaking up of old modes of belief, the most strong-minded and discerning, next to those who head the movement, are generally those who bring up the rear of it. WALTER BAGEHOT 1826-1877 WORDSWORTH, TENNYSON, AND BROWNING OR PURE, ORNATE, AND GROTESQUE ART IN ENGLISH POETRY (1864) _Enoch Arden, &c._ By Alfred Tennyson, D.C.L., Poet Laureate. _Dramatis Personae._ By Robert Browning.