The study of psychology proves that hallucinations, or illusions, may
exist in man without the intellect being disordered. In some instances,
they can be produced, by effort of the will. Dr. Wigan, in his able
work, _Duality of the Mind_, relates:--"A painter who succeeded to a
large portion of the practice, and (as he thought) to more than all
the talent of Sir Joshua Reynolds, was so extensively employed, that
he informed me he had once painted (large and small) three hundred
portraits in one year. This would seem physically impossible, but
the secret of his rapidity and of his astonishing success was this:
He required but one sitting, and painted with miraculous facility. I
myself saw him execute a Kit-Kat portrait of a gentleman well known to
me in little more than eight hours; it was minutely finished, and a
most striking likeness. On asking him to explain it, he said, 'When a
sitter came, I looked at him attentively for half-an-hour, sketching
from time to time on the canvas. I wanted no more--I put away my
canvas, and took another sitter. When I wished to resume my first
portrait, _I took the man and sat him in the chair, where I saw him as
distinctly as if he had been before me in his own proper person_--I may
almost say more vividly. I looked from time to time at the imaginary
figure, then worked with my pencil, then referred to the countenance,
and so on, just as I should have done had the sitter been there. _When
I looked at the chair, I saw the man!_ This made me very popular; and,
as I always succeeded in the likeness, people were very glad to be
spared the tedious sittings of other painters. I gained a great deal of
money, and was very careful of it. Well for me and my children that it
was so. Gradually I began to lose the distinction between the imaginary
figure and the real person, and sometimes disputed with sitters that
they had been with me the day before. At last I was sure of it, and
then--and then--all is confusion. I suppose they took the alarm. I
recollect nothing more--I lost my senses--was thirty years in an
asylum. The whole period, except the last six months of my confinement,
is a dead blank in my memory, though sometimes, when people describe
their visits, I have a sort of imperfect remembrance of them; but I
must not dwell on these subjects.'"
It is an extraordinary fact that, when this gentleman resumed his
pencil, after a lapse of thirty years, he painted nearly as well as
when insanity compelled him to discontinue it. His imagination was
still exceedingly vivid, as was proved by a portrait, for he had only
two sittings of half-an-hour each; the latter solely for the dress and
for the _eyebrows_, which he could not fix in his memory.
It was found that the excitement threatened danger, and he was
persuaded to discontinue the exercise of his art. He lived but a short
time afterwards.
Public-domain text, read in full here on John Shaqi.
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