"Visions, such as are said to arise in the sight of those who indulge
in opium," says Allan Cunningham, "were frequently present to Blake;
nevertheless, he sometimes desired to see a spirit in vain. 'For many
years,' said he, 'I longed to see Satan--I never could believe that
he was the vulgar fiend which our legends represent him--I imagined
him a classic spirit, such as he appeared to him of Uz, with some
of his original splendour about him. At last I saw him. I was going
upstairs in the dark, when suddenly a light came streaming amongst
my feet; I turned round and there he was looking fiercely at me
through the iron grating of my staircase window. I called for my
things--Katherine thought the fit of song was on me, and brought me
pen and ink--I said hush!--never mind--this will do--as he appeared so
I drew him--there he is.' Upon this Blake took out a piece of paper
with a grated window sketched on it, while through the bars glared the
most frightful phantom that ever man imagined. Its eyes were large
and like live coals--its teeth as long as those of a harrow, and the
claws seemed such as might appear in the distempered dream of a clerk
in the Heralds' office. 'It is the Gothic fiend of our legends,' said
Blake--'the true devil--all else are apocryphal.'
"These stories are scarcely credible, yet there can be no doubt of
their accuracy. Another friend, on whose veracity I have the fullest
dependence, called one evening on Blake, and found him sitting with a
pencil and a panel, drawing a portrait with all the seeming anxiety of
a man who is conscious that he has got a fastidious sitter; he looked
and drew, and drew and looked, yet no living soul was visible. 'Disturb
me not,' said he, in a whisper, 'I have one sitting to me.' 'Sitting
to you!' exclaimed his astonished visitor; 'where is he, and what is
he?--I see no one.' 'But I see him, Sir,' answered Blake, haughtily;
'there he is, his name is Lot--you may read of him in the Scripture.
_He_ is sitting for his portrait.'"
Public-domain text, read in full here on John Shaqi.
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