Nollekens married the daughter of Mr. Justice Welch. She was as
parsimonious as her husband. Of a poor old woman, whom she allowed to
sit at the corner of her house, she would contrive to get four apples,
instead of three, to make a dumpling, saying, "for there's my husband,
myself, and two servants, and we must have one a-piece." When she went
to Oxford Market to beat the rounds, in order to discover the cheapest
shops, she would walk round several times to give her dog Cerberus an
opportunity of picking up scraps.
Nollekens's bust of Dr. Johnson is a wonderfully fine one, and very
like, but the sort of _hair_ is objectionable, having been modelled
from the flowing locks of a sturdy Irish beggar, who, after he had sat
an hour, refused to take a shilling, stating that he could have made
more by begging.
Most of Nollekens's sitters were much amused with his oddities. He once
requested a lady who squinted dreadfully to "look a little the other
way, for then," said he, "I shall get rid of the shyness in the cast of
your eye;" and to another lady of the highest rank, who had forgotten
her position, and was looking down upon him, he cried, "Don't look so
_scorny_; you'll spoil my busto; and you're a very fine woman; I think
it will be one of my best bustos."
A lady in weeds for her dear husband, drooping low like the willow,
visited the sculptor, and assured him she did not care what money was
expended on the monument to the memory of her beloved: "Do what you
please, but do it directly," were her orders. Nollekens set to work
at once, and in a short time finished the model, strongly suspecting
she might, like some others he had been employed by, change her mind.
The lady, in about three months, made her second appearance, in which
more courage is generally assumed, and was accosted by him, before she
alighted, with "Poor soul! I thought you'd come;" but her inclination
was changed, and she said, "How do you do, Nollekens; well, you have
not commenced the model?"--"Yes, but I have though," was the reply.
_The Lady_--"Have you, indeed? These, my good friend, I own," throwing
herself into a chair, "are early days; but since I saw you, an old
Roman acquaintance of yours has made me an offer, and I don't know
how he would like to see in our church a monument of such expense to
my late husband; indeed, perhaps, after all, upon second thoughts, it
would be considered quite enough if we got our mason to put up a mural
inscription, and that, you know, he can cut very neatly."--"My charge,"
interrupted the artist, "for my model will be one hundred guineas;"
which she declared to be enormous. However, she would pay it, and "have
done with him."
Public-domain text, read in full here on John Shaqi.
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