Folk dancing, English; Folk music -- England -- History and criticism; Folk songs, English -- England -- History and criticism
It was at the beginning of the nineteenth century that the great
ballad printer J. Pitts appeared. It is said that “Johnny Pitts” was
a female who had been a bumboat woman. The ballad sheets that issued
from the Pitts’ press are all of interest, and many genuine folk-songs
appear on them. A rival to Pitts came from Alnwick in the person of
James Catnach, the son of a printer in that small Northumbrian town.
James Catnach first commenced business in 1813, at 2 and 3 Monmouth
Court, Seven Dials, and he made a complete revolution in ballad sheet
printing. The early ballad-mongers used a rough grey, or blue tinted,
paper and their type was none of the best, or clearest. Catnach changed
the shape of the ballad sheet into Large Post Quarto (about 10 × 8
inches), used good, though thin, white paper, and clear type. Many of
his wood-blocks were either by the Bewick brothers, or by their pupils.
He put forth an enormous quantity of ballads and songs, and seems
to have not only employed men to write songs on topical events, but
also to have for the first time put into print many a stray folk-song
which the ballad-singers, who flocked to buy his ballads, would recite
to him. This latter fact accounts for a certain amount of ignorant
mistakes that occur in the text.
After founding an immense business he retired in 1838, and died in
1841. His married sister, Anne Ryle, took over the business and
advertised that she had “4000 sorts” of ballad sheets. Her manager,
James Paul, appears to have been some sort of an editor for her, and
it is believed that he wrote, or re-wrote, certain of the ballads and
songs she printed. He was, with others, proprietor of the business
at one time, but finally it became the property of W. S. Fortey, who
reprinted from Catnach’s old stereotypes. T. Batchelor, Piggot, and T.
Birt were other ballad printers, a little later than Catnach.
The broadsides printed by Henry Such are of considerable interest
to the collector, as they contain versions of folk-songs which are
generally good. He was printing in 1849, and his successors of the same
surname reprinted his ballad sheets up to a recent date. Provincial
ballad sheet printers are Walker of Durham (flourishing in 1839), and
Harkness of Preston, of a somewhat later date. R. Barr of Leeds and
J. Bebbington of Manchester were broadside printers of forty or fifty
years ago, while Shelmerdine & Co. of Manchester date from about 1815.
The folk-song collector cannot ignore the ballad sheet, for upon it are
found the words of many folk-songs of which he may only obtain very
fragmentary versions from the singer. It is not to be understood that
the ballad sheet version of a folk-song is always an accurate one, but
it is worth having, for the folk-song singer has generally learned his
words, or at any rate refreshed his memory, from the broadside copy.
Public-domain text, read in full here on John Shaqi.
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