Folk dancing, English; Folk music -- England -- History and criticism; Folk songs, English -- England -- History and criticism
(2) Many of the Morris and Sword dancers have
evolutions which are characteristic of ceremonial
used by savage people in the worship of the sun.
The Abingdon (Berks) dances, a very old tradition,
end with a complete circle. Bean-setting, one
of the Headington (Oxon.) dances, begins with
two half-circles danced in opposite directions.
The Bampton dances have circles, half-circles,
and gypsies, another form of circle. The
Gloucestershire dances have the same. In some
dances the dancers advance and retire into the
centre, forming a widening and narrowing circle
alternately, all of which illustrate by mimetic
action the supposed movements of the sun and the
sun’s rays. All were probably actuated by mimetic
magic, primitive man believing that by imitating
the rising and setting of the sun and by lighting
fires he actually caused the return of the sun to
the earth.
(3) The appearance in different forms of the King
and Queen, the Lord and Lady, the Mayor and
Squire in the ceremonial of the dance. These
figures indubitably link up the dances with those
ceremonies attending the crowning of the King of the
Wood, who, representing the life of the earth’s
vegetation, was yearly slain lest his vigour might wane
and all the green life of earth perish with it. The
slaying of this King and the revels which preceded it
and the crowning of the fresh and younger Monarch were
all still dimly to be traced in many revels and dances
in English villages within quite recent years.
At Abingdon, the story runs, two hundred years ago a great fight took
place between the dwellers in Ock Street and the rest of the burghers
of the town. The Ock Street people outnumbering the rest of the whole
town thought they had the right to appoint a Mayor. A beast was slain
in the market-place and roasted whole, a fight took place for the
horns, and the winning side then carried the horns in the Morris
dancing round the town. The horns are in existence to-day and are
carried by the Mayor of the Morris accompanied by the Squire carrying
a Sword. There are traces left still of the gold used to tip the
horns which are mounted on a bull’s head, with flaming red nostrils,
thus making it evident that the beast was regarded as sacred. These
ceremonies took place on St John the Baptist’s Eve, celebrating the
summer solstice.
[Illustration: Abingdon Dancers, whose tradition goes back to 1700
(_“The Squire” holding the sword, wooden cup, and collection box, also
the pole on which is mounted the bull’s head and horns formerly carried
by the “Mayor of the Morris”_)]
Public-domain text, read in full here on John Shaqi.
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