One is not so dependent on present-day dancers for a description of the sword dances as one is for that of the Morris dances, for certain records have survived. Olaus Magnus, in his _History of the Northern Nations_, thus describes the sword dance as practised by the Swedes and Goths:—“First with their swords sheathed and erect in their hands they dance in a triple round. Then with their drawn swords held erect as before, afterwards extending them from hand to hand, they lay hold of each other’s hilt and point while they are wheeling more moderately round, and changing their order, throw themselves into the figure of a hexagon which they call a rose. But presently, raising and drawing back their swords they undo that figure to form (with them) a four-square rose that may rebound over the head of each. At last they dance rapidly backwards, and vehemently rattling the sides of their swords together conclude the sport. Pipes or songs (sometimes both) direct the measure, which at first is slow, but increasing afterwards becomes a very quick one towards the conclusion.” He calls this a kind of Gymnastic Rite in which the ignorant were successively instructed by those who were skilled in it. [Illustration: _Photo by J. H. Graham_ “The Lock”; Characteristic of Sword Dances] The first sword dance I saw performed was the Earsdon, which was accompanied by the small pipes. It looks very complicated, and is more interesting from an antiquarian point of view than from that of a dance. The performers keep huddled up together, and it is difficult for a spectator to see much of what is going on. The second one I saw was at Flamborough, and it was danced by eight fishermen who have learnt it traditionally for longer than anyone living to-day can tell. This is a much more attractive dance, with more variety in the figures, and is almost identical with the description given by Olaus Magnus. Eventually I had two of the fishermen up to London, and they taught the dance to eight young men, who have in their turn passed it on to a great many others. Mr Fuller Maitland has published the Sword Dance Song of Kirkby Malzeard in _English County Songs_, with the music. He considers that the tune of the Prologue has much of the Morris dance character, and that it was probably used for the actual dancing. The song describes each of the dancers, who comes out from among the rest as he is described by the singer. Old Thomas Wood of Kirkby Malzeard told Mr Bower, who took down the tune, that he would have nothing to do with the present Christmas sword dancers, or Moowers, “who have never had the full of it, and don’t dress properly nor do it in any form, being a bad, idle company.” They were originally taught by him, to make up his numbers at the Ripon Millenary Festival.