That first evening’s Morris dancing was the beginning of many happy hours of practice culminating in a demonstration of the dances and songs at a Christmas party held in the rooms of the Passmore Edwards’ Settlement in 1905. The revival of the folk-dance, which was at once realised as genuine by many who were there, resulted in a more public performance in 1906, and from that date until the present day a series of Concerts has been given in London and within a radius of thirty miles around, and as far north as Yorkshire and south as Sussex. Besides this, the dancers were almost at once invited to teach the dances, and at the present time have taught in every county, and in villages, towns, schools, clubs, factories, and educational institutions from one end of England to the other. In 1909 the Board of Education sanctioned the dances being used as part of the course of physical exercises and organised play, but until after that sanction the members of the Espérance Club were the only teachers who had learnt their dances direct from the country dancers. The girls soon taught their men friends, and to-day as well as the girls we have several “Sides” of men who both teach and give displays of the dances. Since the visit of the first two Headington men, I have had over twenty dancers up to London, from Headington, Abingdon, Oddington, Yardley Gobion, Northampton, Lancashire, Warwickshire, Yorkshire, and other places, all of whom have contributed something to our direct knowledge of the dances still to be found in the country; and with Mr Clive Carey and others I have visited different centres of dancing with a view to bringing the dancers to London to teach, collecting all I could about old customs surviving around the dances and getting acquainted with the dancers. I have also sent some of our club members to the country with the same end in view. There is, therefore, at the present time a very strong link between the traditional dancers in the country and the young people in London who are busy practising and passing on the dances, and there is no longer any fear now that the dances will die out completely and be lost to the coming generations.