English Lands, Letters and Kings, vol. 1: From Celt to TudorMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 1: From Celt to Tudor
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
When any of us can make as spirited a translation as that, I think we can
stand a scolding from the teachers for not being literal. George Chapman
lived a very long life, and did other things worthily; wrote a mass of
dramas[101]--but not of the very best; they belong to the class of plays
those people talk of who want to talk of things nobody has read. I think
better and richer things are before us.
_Marlowe._
Did it ever happen to you to read upon a summer’s day that delightful
old book--of a half century later--called _The Complete Angler_; and
do you remember how, on a certain evening when the quiet Angler had
beguiled himself with loitering under beech-trees and watching the
lambs and listening to the birds, he did encounter, in an adjoining
field, a handsome milkmaid, who lifted up her voice--which was like a
nightingale’s--to an old-fashioned song, beginning?--
“Come live with me and be my love,
And we will all the pleasures prove
That valleys, groves, or hills, or field
Or woods, or steepy mountains yield--
And I will make thee beds of roses
And then a thousand fragrant posies
A cap of flowers and a kirtle
Embroidered all with leaves of myrtle.”
Well, that song of the milkmaid, with its setting of verdant meads and
silver streams and honeysuckle hedges keeps singing itself in a great
many ears to-day: And it was written by Christopher Marlowe,[102] one
of the most harum-scarum young dare-devils of Elizabethan times. He was
born in the same year with Shakespeare--down in Canterbury, or near by
(whither we saw St. Augustine carrying Christian crosses)--was son of
a shoemaker who lived thereabout, yet came somehow to be a Cambridge
man, drifted thereafter to London--full of wit and words of wantonness;
developing early; known for a tragedy that caught the ear of the town
six years before Shakespeare had published the “Venus and Adonis.” He was
an actor, too, as so many of the dramatic wits of that day were--maybe
upon the same boards where Shakespeare was then certainly a mender, if
not a maker of parts. Did they hobnob together? Did they compare plots?
If we only knew: but we do not.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account