English Lands, Letters and Kings, vol. 2: From Elizabeth to AnneMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 2: From Elizabeth to Anne
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Then the great park at Woodstock became ducal property. I have said it was
richly worth visiting; its encircling wall is twelve miles in length; the
oaks are magnificent; the artificial waters skirt gardens and shrubberies
that extend over three hundred acres; the grass is velvety; the fallow
deer are in troops of hundreds. And one must remember, in visiting the
locality, that there stood the ancient and renowned royal mansion of Henry
II.--that there was born the Black Prince--and, very probably, Chaucer may
have wandered thereabout, and studied the “daisies white,” and listened to
the whirring of the pheasants--a wood-music one may hear now in all the
remoter alleys.
How many hundred thousands were expended upon the new Blenheim palace,
built in Anne’s time, I will not undertake to compute. The paintings
gathered in it--spoils of the great Duke’s military marches--interest
everyone; but the palace is as cold and stately and unhome-like and
unloveable as was the Duchess herself.
_Builders and Streets._
Sir John Vanbrugh[104] was the architect of Blenheim, and you will
recognize his name as that of one of the popular comedy writers of Queen
Anne’s time, who not only wrote plays, but ran a theatre which he built at
the Haymarket. It was not so successful as the more famous one which
stands thereabout now; the poor architect, too, had a good many buffets
from the stinging Duchess of Marlborough; and some stings besides from
Swift’s waspish pen, which the amiable Duchess did not allow him to
forget.
Another architect of these times, better worth our remembering--for his
constructive abilities--was Sir Christopher Wren, who designed some forty
of the church-spires now standing in London; and he also superintended the
construction of the Cathedral of St. Paul’s, which had been steadily
growing since a date not long after the great fire--thirty-five years
intervening between the laying of the foundations and the lifting of the
cross to the top of the lantern. It is even said that, when he was well
upon ninety, Wren supervised some of the last touches upon this noble
monument to his fame.[105]
Public-domain text, read in full here on John Shaqi.
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