English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
There was, too, another growth in those days in that northern capital
of Great Britain; Dr. Robertson had written his History of America and
his History of Charles V. Adam Smith (the friend of Hume) was busy on
his _Wealth of Nations_ (published during the year in which Hume died).
Hugh Blair, the eloquent doctor, was delivering his lectures on
rhetoric. Henry Mackenzie, the amiable Dean of the Edinboro' literati,
was writing his _Man of Feeling_ and his _Julia de Roubigné_,--books of
great reputation in the early part of this century, but with graces in
them that were only imitative, and sentiment that was dismally affected
and over-wrought; and there was Lord Kames, the _Gentleman Farmer_,
with a fine great house in the Canongate, who wrote on criticism, with
acuteness and taste. You will not read any of the {231} books of these
last-named people; 't were unfair to ask you to do so; but they were
preparing the way for that literary development which will find
expression before many years in the columns of the _Edinburgh Review_
(established at the beginning of this century), and in the border
minstrelsy of Scott.
_George Crabbe._
[Sidenote: Crabbe.]
We step back into England now, to find two poets whose principal work
belonged to the closing years of the last century; and with echoes,
fresh and strong, trailing over into the beginning of this. Neither
their work nor their lives belonged to the noises or to the atmosphere
of London. City sounds do not press into their verse; but instead are
the sounds of sea-waves or of winds on woods, or of church bells, or of
the clink and murmur of the lives of cottagers. The first I name to
you of these two is George Crabbe[7]--a name that {232} may sound
strangely, being almost unknown and unconsidered now; yet fifty years
ago there was not a reading-book in any of the schools, nor an album
full of elegant selections, which was not open for the story of
Ph[oe]be Dawson, or a glimpse of the noble peasant, Isaac Ashford. But
all that is gone:[8]
"I see no more those white locks thinly spread
Round the bald polish of that honored head;
No more that awful glance on playful wight
Compelled to knee and tremble at the sight,
To fold his fingers all in dread the while
Till Mister Ashford softened to a smile."
This gives the manner and strain of Crabbe; it is Pope, but it is Pope
muddied and rusticated; {233} Pope in cow-skin shoes, instead of Pope
in prunella.
Crabbe was born in the little shore town of Aldborough--looking
straight out upon the North Sea; and the rhythmic beat of those waves
so stamped itself on his boyish brain, that it came out afterward--when
he could manage language, in which he had great gift--very clear and
very real; there's nothing better, all up and down his rural tales,
than his fashion of putting waves into his rhythmic measures--as you
shall see:--
Public-domain text, read in full here on John Shaqi.
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