English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
But the waves of applause break only with a {248} low dolorous murmur
upon the threshold of that Olney home. A cruel sense of his own
undeservings weighs upon his spirits; he cannot ask a blessing at his
meals, for who would listen? he cannot pray, for it would be mockery;
and he consoles himself with the poor satisfaction of not being a
mocker. He discusses village and public affairs with his barber,
Wilson (who had conscientiously refused to dress Lady Austen's hair
upon a Sunday). Alluding to American affairs, in that crisis when a
treaty of peace was discussed at Versailles (1783) between France and
America, he speaks of the "thirteen pitiful colonies which the king of
England chose to keep and the king of France to obtain--if he could."
A little later, at the same crisis, he says:
"I may be prejudiced against these [Americans], but I do not think them
equal to the task of establishing an empire.... You will suppose me a
politician; but, in truth, I am nothing less. These are the thoughts
that occur to me while I read the newspaper; and when I have laid it
down, I feel myself more interested in the success of my 'early
cucumbers' than in any part of this important subject."[13]
{249}
_His Later Life._
It was only in the latter part of his career that the poet made the
acquaintance of William Hayley,[14] his future biographer, who had been
drawn toward Cowper by the charms of his verse and who came to visit
him: this friend, through his wide familiarity with the outer world,
had suborned bishops and clergy and public men to write to this
melancholy exile of Olney and cheer him with their praises--all which
praises fell like hail upon Cowper's window pane. And there had been a
little trip devised, to divert that weakened and fatigued mind, down to
Eartham in Sussex, where his friend Hayley has a beautiful place, and
where he brings the artist Romney, to paint the well-known portrait;
but there is no long stay away from the old covert on the flats of
Buckinghamshire; indeed this covert had taken new life within a few
years by the advent of a cousin, the Lady {250} Hesketh, the widowed
sister of his old lost Theodora; she had come with her carriage and
trappings, and taken a fine house, and sought to revive pleasantly all
the mundane influences of Lady Austen.
Public-domain text, read in full here on John Shaqi.
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