English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Mrs. Unwin, worn down by long fatigues, is at last smitten by
paralysis; and she whose life has been spent in serving must herself be
served; the poor poet bringing to that service all the instincts of
affection, and the wavering purpose of a shattered mind. Yet out of
this new gloom and {253} these terrors of the home comes that faultless
little poem inscribed to "My Mary."
"Thy silver locks, once auburn bright,
Are still more lovely in my sight
Than golden beams of Orient light,
My Mary.
"For could I view--nor them--nor thee
What sight worth seeing could I see?
The sun would rise in vain for me,
My Mary.
"Partakers of thy sad decline
Thy hands their little force resign,
Yet gently prest, press gently mine,
My Mary."
But here, as before, quotation counts for nothing; it cannot bring to
mind the mellowness and the tenderness which lurk in so many of the
lines and in all the flowing measure of the little poem. Mrs. Unwin
has embalmment in it that will keep her memory alive, longer than would
any tomb in Westminster.
Well, Mrs. Unwin dies at last in the town of East Dereham, Norfolk,
where they had taken her for "diversion"; and the poor poet died there
three years later and was buried beside her. {254} They were three
dreary years--which followed upon her death--for him and for those
about him. From time to time he touched a little bit of old work, but
put no joy in it; distraught--weary--smileless--only waiting.
[Sidenote: Cowper's poetry.]
Critics are agreed that we shall not rank him among the great poets;
but he comes nearer to their rank than anybody in his day believed
possible. He is so true; he is so tender; he is so natural. If in his
longer poems there is sometimes a lack of last finish, and an overplus
of language--there is a frankness of utterance and a billowy undulation
of movement that have compensating charms. He loves Nature as a boy
loves his play; his humanities are wakened by all her voices. He not
only seizes upon exterior effects with a painter's eye and hand, but he
has a touch which steals deeper meanings and influences and transfers
them into verse that flows softly and quietly as summer brooks. He
cannot speak or rhyme but the odors of the country cling to his words.
There is no crazy whirl of expletives which would apply to a hundred
scenes, but clear, forceful epithet, full of singleness of story:--
{255}
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account