English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
"O, Willie brewed a peck o' maut,
And Bob and Allen cam to see;
Three blither hearts that lee-lang night
Ye wad na find in Christendie.
We are na fou, we're na that fou,
But just a drappie in our e'e;
The cock may craw, the day may daw,
And ay we'll taste the barley bree.
It is the moon, I ken her horn,
That's blinkin in the lift sae hie;
She shines sae bright, to wyle us hame;
But, by my sooth, she'll wait a wee.
The cock may craw, the day may daw,
And aye we'll taste the barley bree."
No wonder the pebbles began to show more and more in the plough-land;
no wonder the jolly fellows of Dumfries came oftener and oftener; the
long bouts too amongst the hills chilled him; the crops grew smaller
and smaller; the "barley bree" better and better; he has no tact at
bargaining; a stanza of Tam O'Shanter is worth more than ten {296}
plough-days, yet he makes gifts of his best songs. Household affairs
go all awry, let poor Jeanie Armour struggle as she may; the cottage
palings are down; debts accumulate; and so do those rollicking nights
at the Globe, or in a shieling amongst the hills. Yet from out all the
impending want, and the gloom, and the desperation, come such sweet
notes as these, reaching the ear of humanity everywhere:--
"John Anderson, my jo, John,
We clamb the hill thegither;
And mony a canty day, John,
W've had wi' ane anither:
Now we maun totter down, John,
But hand in hand we'll go,
And sleep thegither at the foot,
John Anderson, my jo."
At last Ellisland must be given up--crops, beasties and all; and never
more the wooded banks of Nithsdale shall feel his tread, or hear his
chant mingling with the river murmurs. He, and they all--five souls
now--just of an age to relish most the woods, the range, the fields,
the daisies of Ellisland, must go to one of the foulest and least
attractive streets of Dumfries, and to a {297} home as little
attractive as the street. Fifty years thereafter I went over that
house and found it small, pinched, and pitifully meagre in all its
appointments; twenty years later, Hawthorne speaks of both house and
street as _filthy_. What could or should supply the place now--to the
peasant poet--of the fields, the open sky, the gentle fret and murmurs
of the streams of Nithsdale?
The foul fiends who taunted him in the woods now lay hold upon him in
earnest; every day his fame is flying over straits and seas; every day
his poems, old and new, are planting themselves in fresh hearts and
brains; every day his wild passions are dealing him back-handed blows.
Old neighbors have to pass him by; modest women look away; he has
forfeited social position; and I suspect, welcomed in those days of
July, 1796, the approaches of the disease which he knew was sapping his
life:--
"Oh, Martinmas wind! when wilt thou blaw
And shake the dead leaves frae the tree?
Oh gentle death! when wilt thou come
And tak a life that wearies me?"
{298}
Public-domain text, read in full here on John Shaqi.
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