English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
A little later, we find him in his own West of England again, at
Bristol--whither we have wandered so often in search of poets--and he
encounters Southey thereabout, whom he had met for the first time on a
visit to Oxford in 1794; this brother poet being as hazy, and dreamy,
and theosophic, and hopeful in those days as Coleridge himself. The
two form a sort of garret partnership--lecture to the savages of
surrounding towns--are inoculated both with the {312} "fraternity and
equality" fever which had grown out of the French Revolution--they
believing that this French car of Juggernaut is to be dragged with its
bloody wheels over the whole brotherhood of nations. In this faith
they plot a settlement, in the new region--of which they know nothing,
but the sweetly sounding name of Wyoming--upon the banks of the
Susquehanna. There they would dig, and build cottages, and
philosophize, and found Arcadia. With kindred poetic foresight,
Coleridge marries in these days a bride as inexperienced and as poor as
himself; and for a little time there is a one-volumed Arcadia on the
banks of the Bristol Channel, with a lovely and pensive Sara for its
presiding nymph. Only for those few early years does this nymph enter
for much into the career of Coleridge. Domesticity[4] was never a
{313} shining virtue in him; and wife, and cottage, and Arcadia somehow
fade out from the story of his life--as pointless, unsaving, and
ineffective for him, all these, as the blurred lines with which we
begin a story, and cross them out. Southey, with a practical old aunt
to look sharply after his youngness, is quickly driven from his
Arcadian feeding ground and for the present disappears.
But Coleridge is still in the wallow of his wild vain hopes and wild
discourse, when he encounters another poet--his elder by a few years
and of a cooler temperament--William Wordsworth; who about that time
had established himself, with his sister Dorothy, upon the borders of
Somersetshire. These two men, so unlike, cleave together from the
beginning; there is a flagging now in the Unitarian discourses of
Coleridge in country chapels; and instead, wanderings with the brother
poets over the fair country ways that border upon the Bristol
straits--looking off upon the green flats of Somerset, the tufted banks
of the Avon, the shining of the sea, with trafficking ships, to the
west. Out of these, and of their meditations grow the first book--a
joint one--of {314} _Lyrical Ballads_; its issue not making a ripple on
the tide where Crabbe and Cowper were then afloat; and yet creating an
epoch in the history of British verse. For in it was the story of the
Ancient Mariner, and words therein that will never grow old:
"Farewell, farewell! but this I tell
To thee, thou wedding guest!
He prayeth well, who loveth well
Both man and bird and beast;
He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us
He made and loveth all!"
Public-domain text, read in full here on John Shaqi.
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