English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
But against the circling terrors of that maelstrom he does make now and
then gallant struggle--goes to the house of that kindly surgeon,
Gillman, at Highgate, who is charged to guard him--does guard him with
exceeding kindness; the servants have orders to watch him--to follow
him in the street on his lecture days. But the cunning of a man crazed
by his insatiate appetite outwits them; and over and over the turbid
roll of his speech--with flashing splendors in it, that give no
light--betrays him. And yet it was in those very days of alternate
heroic struggle and of devilish yielding that he re-vamps and extends
and retouches that sweet, serene poem of Christabel, with the pure,
innocent, loving, trustful, winning, blue-eyed daughter of Sir Leoline
praying under the oaks, and contrasted with her that graceful, mocking,
radiant Geraldine--with smiles that enchant, and alabaster front, and
undying graces, and wiles of the serpent, and the damps of the pit in
her breath--as if the demon that pursued and {318} pushed him to the
wall had foreshadowed himself in that mocking and most beautiful
Geraldine.
In those days, too, it was that the young Carlyle used to come to
Highgate and watch those bulging eyes--pressed out with excess of brain
substance behind them--and listen to his poetic convolutions of speech.
"The eyes," he says, "were as full of sorrow as of inspiration. I have
heard him talk with eager, musical energy two stricken hours, his face
radiant and moist, and communicate no meaning whatsoever to any
individual of his hearers, certain of whom--I for one--still kept
eagerly listening in hope."
The very children of the neighborhood stood in awe of this wildish
man--who seemed talking to the trees at times; and yet their awe was
broken by fits of mocking courage, and they made faces at him across
the high road. He died there at last--1834 was the year; within sight
of the smoke of London and the dome of St. Paul's, toward which from
Highgate there stretched in that day a long line of suburban houses,
with scattered open fields, hedges, trees, flowers, and the hum of bees.
{319}
_Charles Lamb._
[Sidenote: Essays of Elia.]
Among those who used to come somewhiles to follow that fine, confused
stream of poetic talk which poured from Coleridge's lips, was Charles
Lamb,[7] his old school-fellow and friend in the blue-coat days of
Christ's Hospital. And what a strange, odd friendship it seems when we
contrast the tender and delicious quietude of the Essays of Elia with
the portentous flow of Coleridge's speech! A quiet little stream,
purling with gentle bendings and doublings along its own meadows--mated
against a river that whirls in mad career, flinging foam high into
trees that border it, and only losing its turbidness when it is tided
away into the sea, where both brook and river end.
[Sidenote: Charles Lamb.]
Public-domain text, read in full here on John Shaqi.
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