English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
"Then I told how for seven long years, in hope sometimes, sometimes in
despair, yet persisting ever, I courted the fair Alice W----; and as
much as children could understand, I explained to them what coyness,
and difficulty, and denial, meant in maidens--when suddenly, turning to
little Alice, the soul of the first Alice looked out at her eyes with
such a reality of re-presentment that I became in doubt which of them
stood there before me, or whose that bright hair was; and while I stood
gazing, both the children gradually grew fainter to my view, receding,
and still receding, till nothing at last but two mournful features were
seen in the uttermost distance, which--without speech--strangely
impressed upon me the effects of speech:--We are not of Alice, not of
thee, nor are we children at all. The children of Alice call Bartram
father, we are nothing--less than nothing and dreams. We are only what
might have been, and must wait upon the tedious shores of Lethe,
millions of ages, before we have existence and a name; and immediately
awaking, I found myself quietly seated in my arm-chair--where I had
fallen asleep, with the faithful Bridget unchanged by my side."
Lamb was not deep-thoughted; he would have lost the trail in those
meditations and searchings to which Coleridge in his cooler and clearer
moments invited and led the way; but there was about him an
individuality, a delicacy of thought, {325} a quaint play of airy
fancies, a beguiling inconsequence, that have made his path in letters
a delightful one for thousands to follow.
I cannot leave his name without calling attention to the charming
little stories of Mrs. Leicester's School--written by Charles Lamb and
his sister jointly. They are--or profess to be--the tales told by
school children themselves of their memories--whether sorrows or joys;
and are so artless in their narrative, so pathetic often, that you
cannot help but follow the trend of their simple language as you would
follow a story which an older sister might tell you about your own
homes and your own father and mother.
Public-domain text, read in full here on John Shaqi.
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