English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
If Wordsworth had possessed Browning's sense of humor, he would have
withdrawn an eighth of his published works; if he had possessed Hood's
sense of humor, I think he would have withdrawn a third. Humor is a
great and good shortener. Humor seeks to provoke mirth and ripples of
cheery satisfaction, so it shuns length and prosiness. Humor is a
charming quality in either preacher or poet; and brevity is one of the
best parts of humor; indeed brevity and humor always lock hands.
Unfortunately, Wordsworth had no humor. Again, that too free and lax
play of language in Wordsworth--that told nothing vital, but only
served to tie together, by loose and swaying looplets, the flashing
jewels wherein his real genius coruscated and crystallized--not only
fatigued us who followed and wanted to follow, but it filled the
master's time and books and thought to the neglect of that large
entertainment of some systematized purpose--some great, balanced, and
concreted scheme of poetic story, {333} which he always hinted at, but
never made good. Take that budget of verse which went toward the
making of the "Recluse"--how incomplete; how unfinished even in detail;
yet splashed up and down with brilliancies of thought and fancy; with
here and there noble, statuesque, single figures; like a great
antechamber, detaining us with its diverting objects, with interposed,
wearisome, official talk--we all the while hoping to fare through to
some point where we shall see the grandeur of the house and take in
reverently its great proportions, and pay homage to the master. But we
never come to those Arcana; we end in waiting; great, fine bursts of
song, and of glowing narrative--sun, mountains, and clouds giving us
august attendance--but no mapping of a whole, whose scheme is fitly
balanced, and whose foundations bear up a completed body and dome, with
cross and crown. But though his languors of language, his prosiness,
his self-satisfaction do madden one to damnatory speech, yet when his
song breaks out at its best--seeming to tie the upper mysterious world
to this mundane level--to make steps of melody and of heavenly lift to
{334} invite and charm as toward the Infinite, we are ashamed of our
too easy discomfiture:--
"Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
"O joy! that in our embers
Is something that doth live,
That Nature yet remembers
What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: nor indeed
For that which is most worthy to be blest;
Public-domain text, read in full here on John Shaqi.
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