English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
We must not forget that hard-headed man who wrote Hume's History of
England, who was born twenty-two years before the historian of Rome,
{146} and died in the year in which Gibbon was reaping his first
rewards. He[1] was a sceptic too of even more aggressive type than
Gibbon--was, like him, somewhat ungainly in person, and though of
larger build and of coarser mould, possessed a cheery good humor, and a
bright colloquial wit which made him sure of good friends and many.
Like Gibbon he lived and died a bachelor: like him, he leaned toward
continental ways of living, and like him garnered some of his highest
honors in France. Of course you know his History of England--where it
begins, where it ends--but we do not press examination on these points.
In most editions you will find--(it should be found in all)--among the
foreleaves, a short autobiographic sketch, written in his most neat,
perspicuous, and engaging manner, which is well worth the close
attention of every reader, even if he do not wade through the royal
extensions of the History. You will learn there that David Hume was
born in that pleasant border land of Scotland which is watered {147} by
the Tweed, the Yarrow, and the Teviot--where we found the poet Thomson.
North of his boyish home stretched Lammermoor, and westward within easy
tramping distance lay Lauderdale; but in that day these names had not
been illuminated by a touch of the magician's wand, nor was his mind
ever keenly alive to the beauties of landscape. Hume's childhood knew
only great stretches of brown heather, bounded by bare bluish-gray
heights, with the waves of the German Sea pounding on the rocky,
desolate shores--where stands the ruin of Fast Castle, the original of
"Wolf's Crag" of the Master of Ravenswood.
Public-domain text, read in full here on John Shaqi.
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