English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
His perspicuous and never-failing flow of language was due, not a
little, to an early habit of translating at sight, from Greek and Latin
orators, under direction of his father the Earl of Chatham--not taught
by this great master to give slavish word for word translation; but as
apt and polished and vigorous a rendering as he could accomplish,
without any surrender, or mal-presentment of the leading thoughts. Nor
do I know any class-room exercise, nowadays, which would so test and
amplify a young student's vocabulary, or teach him better the easy and
forcible use of his own language. But, to have its full disciplinary
power, it should be a loud, _ore rotunda_ rendering--not a {194} mere
lip-service; a launch, straight out from shores, into whatever waters
or wilds the heathen orators may be sailing upon, and a full showing of
their changing drift--whether in the eddies of a playful irony, or
under the driving sweep of their storms of denunciation.
Singularly apart from literary men, and most literary influences,
Macaulay has objected (perhaps with some reason) to Pitt's cruel
disregard of Dr. Johnson's needs and longings in his latter years; it
would have been a charming thing, for instance, for the son of Chatham
to put a Government ship at the service of the invalided philosopher,
for a voyage under Italian skies; but with Pitt, the large political
ends which were taking shape in his mind, and in process of evolution,
blinded him to lesser and personal or kindly interests. A nod of the
obstinate old king would have counted for more than a tragedy of
_Irene_. All his classicism was but a weapon to smite with, or from
which to forge the links of those shining parentheses by which he
strangled an opponent. Nothing beyond or below the cool, considerate
humanities of the cultured, self-poised gentleman {195} (unless we
except some rare outbreak of petulance) belongs to this great orator,
who could thrust one through with a rapier held by the best rules of
fence; and who never did or could say a word so warm as to touch a
friend or make an enemy forget his courtliness. Guiding the political
fate of England through a period of such strain, as demanded more nerve
and more discretion than any period of a century before, or of a
century thereafter--admired by all, and loved by very few, Pitt died
quite alone, in a little cottage on Wimbledon Common[5]--even his
servants had left;--died too of old age; an old age that grew out of
his tormenting labors and ambitions--before he was fifty.
_An Orator and Playwright._
[Sidenote: Sheridan.]
Public-domain text, read in full here on John Shaqi.
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