English Lands, Letters and Kings, vol. 3: Queen Anne and the GeorgesMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 3: Queen Anne and the Georges
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
A few months after, at the first annual dinner of the newly founded
Royal Academy of Art, Goldsmith,[11] being present, talked at table of
a certain extraordinary lad who had come up the year before from
Bristol--and had died the summer past--literally of starvation--leaving
behind him certain wonderful poems, which in their phrases, he said,
had an air of great antiquity. And Horace Walpole being also
present--he never omitted being present at a Royal Society dinner, when
it was possible for him to go--overhearing the talk and the name, said
(we may fancy), "Bless me, young Chatterton, to be sure!--I had some
correspondence with the young man; nice poems--but apocryphal--poor
fellow; dead is he--starved, eh? dear me?--shocking--quite so!" and I
suppose that he took snuff and dusted his ruffles thereafter, and then
toyed with his delicate glass of fine old Sercial Madeira. This was
like {207} Walpole--wantonly like him. There had been a
correspondence, as he condescendingly admitted, that I will tell you of.
This Bristol boy, growing up in sight of Durdham downs, and the gorge
of the Avon and blue hills of Wales--with poetic visions haunting
him--had somehow come upon old parchments--perhaps out of the muniment
rooms of St. Mary's Redcliffe church, where his father had been sexton;
he had been captivated by the quaint lettering, and awed by the odor of
sanctity; and straightway imaged to himself an old mediæval priest, to
be clothed upon with his own poetic sensibilities, and in the rusty
phrases of the fourteenth century, to unfold to the world the poetic
yearnings and aspirations that were seething in the brain of this
wonderful boy. The ancient Dictionaries and old copies of Chaucer
supplied the language; the antique parchments gave local allusions and
the nomenclature; and for inspiration and motive--the winds that blew
from over Chepstow and Tintern Abbey, and Caerleon, and whistled round
the buttresses of St. Mary's Redcliffe--supplied more than enough. So
began {208} the modern antique poems of Thomas Rowley; not a new device
in the literary world; for Macpherson, whom we shall encounter
presently, only a few years before had launched some of the "Ossian"
poems, to the great wonderment and puzzle of the literary world; and
Walpole, still earlier, had claimed a false antiquity and Neapolitan
origin for his _Castle of Otranto_. To Walpole, therefore, the eager
boy sent some fragments of his Rowley poems, which Walpole courteously
acknowledged, and asked for a continuance of such favors. Poor
Chatterton, presuming on this courtesy wrote again, declaring his
dependent condition--apprenticed to a scrivener, and with mother and
sister dependent on him--but believing that with God's help, and the
encouragement of his distinguished patron, he might find the way to
other and better Rowley poems.
Public-domain text, read in full here on John Shaqi.
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