English Lands, Letters and Kings, vol. 4: The Later Georges to VictoriaMitchell, Donald Grant
History
English Lands, Letters and Kings, vol. 4: The Later Georges to Victoria
Mitchell, Donald Grant
English literature -- History and criticism; Great Britain -- Intellectual life
Another poet, William Lisle Bowles, in a quaint sonnet has versed this
Gordon mother’s imaginary welcome to her dead son:--
“Could that mother speak,
In thrilling, but with hollow accent weak,
She thus might give the welcome of the dead:
‘Here rest, my son, with me; the dream is fled;
The motley mask, and the great stir is o’er.
Welcome to me, and to this silent bed,
Where deep forgetfulness succeeds the roar
Of life, and fretting passions waste the heart no more!’”
CHAPTER VII.
For many a page now we have spoken intermittently of that extraordinary
man and poet--full of power and full of passion, both uncontrolled--whose
surroundings we found in that pleasantly undulating Nottingham country
where Newstead Abbey piled above its lawn and its silent tarns--half a
ruin, and half a home.[80] Nor did Byron ever know a home which showed no
ruin--nor ever know a ruin, into which his verse did not nestle as into a
home.
We traced him from the keeping of that passionate mother--who smote him
through and through with her own wrathful spirit--to the days when he
uttered the “Idle” songs--coined in the courts of Cambridge--and to those
quick succeeding days, when his mad verse maddened English bards and
Scotch reviewers. Then came the passages of love--with Mary Chaworth,
which was real and vain; with a Milbanke, which was a mockery and ended in
worse than mockery; all these experiences whetting the edge of that sword
of song with which he carved a road of romance for thousands of after
journeymen to travel, through the old Iberian Peninsula, and the vales of
Thessaly. Then there was the turning away, in rage, from the shores of
England, the episode with the Shelley household on the borders of Lake
Leman, with its record of “crag-splitting” storms and sunny siestas; and
such enduring memorials as the ghastly _Frankenstein_ of Mrs. Shelley, the
Third Canto of _Childe Harold_, and the child-name of--Allegra.
Next came Venice, where the waves lapped murmurously upon the door-steps
of the palaces which “Mi-lord” made noisy with his audacious revelry. To
this succeeded the long stay at Ravenna, with its pacifying and
lingering, reposeful reach of an attachment, which was beautiful in its
sincerity, but as lawless as his life. After Ravenna came Pisa with its
Hunt-Lanfranchi coruscations of spleen, and its weird interlude of the
burning of the body of his poor friend Shelley upon the Mediterranean
shores. Song, and drama, and tender verselets, and bagnio-tainted pictures
of Don Juan, gleamed with fervid intensity through the interstices of this
Italian life; but they all came to a sudden stay when he sailed for
Greece, and with a generosity as strong as his wilder passions, flung away
his fortune and his life in that vortex of Suliote strifes and deadly
miasmas, which was centred amid the swamplands of Missolonghi.
Public-domain text, read in full here on John Shaqi.
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